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“Self-testimony of a Past Present”: Reuses of Historical Film Documents
Has the history of film digitization ever been incorporated in questions of evidence and knowledge production? The digitization of thousands of films from the former Institute for Scientific Film (IWF) that is currently underway gives an occasion to think about the provenance and reuses of filmic im...
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Springer International Publishing
2021
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8159810/ https://www.ncbi.nlm.nih.gov/pubmed/33978769 http://dx.doi.org/10.1007/s00048-021-00300-z |
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author | Sattelmacher, Anja |
author_facet | Sattelmacher, Anja |
author_sort | Sattelmacher, Anja |
collection | PubMed |
description | Has the history of film digitization ever been incorporated in questions of evidence and knowledge production? The digitization of thousands of films from the former Institute for Scientific Film (IWF) that is currently underway gives an occasion to think about the provenance and reuses of filmic images as well as the ways in which they claim to produce scientific (or in this case, historical) evidence. In the years between 1956 and 1960, the German Social Democrat, historian and filmmaker Friedrich “Fritz” Terveen initiated a film series that used historical found film footage in order to educate university students about contemporary history. The first small series of films was entitled Airship Aviation in Germany which consisted of four short films using found footage of zeppelin flights, of which the earliest images stem from around 1904 and the latest from 1937, the moment of the “Hindenburg disaster.” This article explores how Terveen sought to shape the political landscape of history teaching in the new Federal Republic of Germany by first setting up nation-wide visual archives to host historical film documents, and secondly by seeking to improve the political education of a new generation of young Germans with the aid of the moving image. |
format | Online Article Text |
id | pubmed-8159810 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | Springer International Publishing |
record_format | MEDLINE/PubMed |
spelling | pubmed-81598102021-06-01 “Self-testimony of a Past Present”: Reuses of Historical Film Documents Sattelmacher, Anja NTM Artikel/Articles Has the history of film digitization ever been incorporated in questions of evidence and knowledge production? The digitization of thousands of films from the former Institute for Scientific Film (IWF) that is currently underway gives an occasion to think about the provenance and reuses of filmic images as well as the ways in which they claim to produce scientific (or in this case, historical) evidence. In the years between 1956 and 1960, the German Social Democrat, historian and filmmaker Friedrich “Fritz” Terveen initiated a film series that used historical found film footage in order to educate university students about contemporary history. The first small series of films was entitled Airship Aviation in Germany which consisted of four short films using found footage of zeppelin flights, of which the earliest images stem from around 1904 and the latest from 1937, the moment of the “Hindenburg disaster.” This article explores how Terveen sought to shape the political landscape of history teaching in the new Federal Republic of Germany by first setting up nation-wide visual archives to host historical film documents, and secondly by seeking to improve the political education of a new generation of young Germans with the aid of the moving image. Springer International Publishing 2021-05-12 2021 /pmc/articles/PMC8159810/ /pubmed/33978769 http://dx.doi.org/10.1007/s00048-021-00300-z Text en © The Author(s) 2021 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Artikel/Articles Sattelmacher, Anja “Self-testimony of a Past Present”: Reuses of Historical Film Documents |
title | “Self-testimony of a Past Present”: Reuses of Historical Film Documents |
title_full | “Self-testimony of a Past Present”: Reuses of Historical Film Documents |
title_fullStr | “Self-testimony of a Past Present”: Reuses of Historical Film Documents |
title_full_unstemmed | “Self-testimony of a Past Present”: Reuses of Historical Film Documents |
title_short | “Self-testimony of a Past Present”: Reuses of Historical Film Documents |
title_sort | “self-testimony of a past present”: reuses of historical film documents |
topic | Artikel/Articles |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8159810/ https://www.ncbi.nlm.nih.gov/pubmed/33978769 http://dx.doi.org/10.1007/s00048-021-00300-z |
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