Cargando…
Human Genomics and the Biocultural Origin of Music
Music is an exclusive feature of humankind. It can be considered as a form of universal communication, only partly comparable to the vocalizations of songbirds. Many trends of research in this field try to address music origins, as well as the genetic bases of musicality. On one hand, several hypoth...
Autores principales: | , , , , |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
MDPI
2021
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8160972/ https://www.ncbi.nlm.nih.gov/pubmed/34065521 http://dx.doi.org/10.3390/ijms22105397 |
_version_ | 1783700403100057600 |
---|---|
author | Beccacece, Livia Abondio, Paolo Cilli, Elisabetta Restani, Donatella Luiselli, Donata |
author_facet | Beccacece, Livia Abondio, Paolo Cilli, Elisabetta Restani, Donatella Luiselli, Donata |
author_sort | Beccacece, Livia |
collection | PubMed |
description | Music is an exclusive feature of humankind. It can be considered as a form of universal communication, only partly comparable to the vocalizations of songbirds. Many trends of research in this field try to address music origins, as well as the genetic bases of musicality. On one hand, several hypotheses have been made on the evolution of music and its role, but there is still debate, and comparative studies suggest a gradual evolution of some abilities underlying musicality in primates. On the other hand, genome-wide studies highlight several genes associated with musical aptitude, confirming a genetic basis for different musical skills which humans show. Moreover, some genes associated with musicality are involved also in singing and song learning in songbirds, suggesting a likely evolutionary convergence between humans and songbirds. This comprehensive review aims at presenting the concept of music as a sociocultural manifestation within the current debate about its biocultural origin and evolutionary function, in the context of the most recent discoveries related to the cross-species genetics of musical production and perception. |
format | Online Article Text |
id | pubmed-8160972 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | MDPI |
record_format | MEDLINE/PubMed |
spelling | pubmed-81609722021-05-29 Human Genomics and the Biocultural Origin of Music Beccacece, Livia Abondio, Paolo Cilli, Elisabetta Restani, Donatella Luiselli, Donata Int J Mol Sci Review Music is an exclusive feature of humankind. It can be considered as a form of universal communication, only partly comparable to the vocalizations of songbirds. Many trends of research in this field try to address music origins, as well as the genetic bases of musicality. On one hand, several hypotheses have been made on the evolution of music and its role, but there is still debate, and comparative studies suggest a gradual evolution of some abilities underlying musicality in primates. On the other hand, genome-wide studies highlight several genes associated with musical aptitude, confirming a genetic basis for different musical skills which humans show. Moreover, some genes associated with musicality are involved also in singing and song learning in songbirds, suggesting a likely evolutionary convergence between humans and songbirds. This comprehensive review aims at presenting the concept of music as a sociocultural manifestation within the current debate about its biocultural origin and evolutionary function, in the context of the most recent discoveries related to the cross-species genetics of musical production and perception. MDPI 2021-05-20 /pmc/articles/PMC8160972/ /pubmed/34065521 http://dx.doi.org/10.3390/ijms22105397 Text en © 2021 by the authors. https://creativecommons.org/licenses/by/4.0/Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). |
spellingShingle | Review Beccacece, Livia Abondio, Paolo Cilli, Elisabetta Restani, Donatella Luiselli, Donata Human Genomics and the Biocultural Origin of Music |
title | Human Genomics and the Biocultural Origin of Music |
title_full | Human Genomics and the Biocultural Origin of Music |
title_fullStr | Human Genomics and the Biocultural Origin of Music |
title_full_unstemmed | Human Genomics and the Biocultural Origin of Music |
title_short | Human Genomics and the Biocultural Origin of Music |
title_sort | human genomics and the biocultural origin of music |
topic | Review |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8160972/ https://www.ncbi.nlm.nih.gov/pubmed/34065521 http://dx.doi.org/10.3390/ijms22105397 |
work_keys_str_mv | AT beccacecelivia humangenomicsandthebioculturaloriginofmusic AT abondiopaolo humangenomicsandthebioculturaloriginofmusic AT cillielisabetta humangenomicsandthebioculturaloriginofmusic AT restanidonatella humangenomicsandthebioculturaloriginofmusic AT luisellidonata humangenomicsandthebioculturaloriginofmusic |