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Perceiving Sound Objects in the Musique Concrète
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musiq...
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2021
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8174583/ https://www.ncbi.nlm.nih.gov/pubmed/34093369 http://dx.doi.org/10.3389/fpsyg.2021.672949 |
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author | Godøy, Rolf Inge |
author_facet | Godøy, Rolf Inge |
author_sort | Godøy, Rolf Inge |
collection | PubMed |
description | In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musique concrète because of its use of concrete recorded sound fragments, manifesting a departure from the abstract concepts and representations of Western music notation. Furthermore, the term sound object was used to denote our perceptual images of such fragments. Sound objects and their features became the focus of an extensive research effort on the perception and cognition of music in general, remarkably anticipating topics of more recent music psychology research. This sound object theory makes extensive use of metaphors, often related to motion shapes, something that can provide holistic representations of perceptually salient, but temporally distributed, features in different kinds of music. |
format | Online Article Text |
id | pubmed-8174583 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-81745832021-06-04 Perceiving Sound Objects in the Musique Concrète Godøy, Rolf Inge Front Psychol Psychology In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musique concrète because of its use of concrete recorded sound fragments, manifesting a departure from the abstract concepts and representations of Western music notation. Furthermore, the term sound object was used to denote our perceptual images of such fragments. Sound objects and their features became the focus of an extensive research effort on the perception and cognition of music in general, remarkably anticipating topics of more recent music psychology research. This sound object theory makes extensive use of metaphors, often related to motion shapes, something that can provide holistic representations of perceptually salient, but temporally distributed, features in different kinds of music. Frontiers Media S.A. 2021-05-20 /pmc/articles/PMC8174583/ /pubmed/34093369 http://dx.doi.org/10.3389/fpsyg.2021.672949 Text en Copyright © 2021 Godøy. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Godøy, Rolf Inge Perceiving Sound Objects in the Musique Concrète |
title | Perceiving Sound Objects in the Musique Concrète |
title_full | Perceiving Sound Objects in the Musique Concrète |
title_fullStr | Perceiving Sound Objects in the Musique Concrète |
title_full_unstemmed | Perceiving Sound Objects in the Musique Concrète |
title_short | Perceiving Sound Objects in the Musique Concrète |
title_sort | perceiving sound objects in the musique concrète |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8174583/ https://www.ncbi.nlm.nih.gov/pubmed/34093369 http://dx.doi.org/10.3389/fpsyg.2021.672949 |
work_keys_str_mv | AT godøyrolfinge perceivingsoundobjectsinthemusiqueconcrete |