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The stability of paintings and the molecular structure of the oil paint polymeric network
A molecular-level understanding of the structure of the polymeric network formed upon the curing of air-drying artists’ oil paints still represents a challenge. In this study we used a set of analytical methodologies classically employed for the characterisation of a paint film—based on infrared spe...
Autores principales: | , , , , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2021
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8270892/ https://www.ncbi.nlm.nih.gov/pubmed/34244532 http://dx.doi.org/10.1038/s41598-021-93268-8 |
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author | Nardelli, Francesca Martini, Francesca Lee, Judith Lluvears-Tenorio, Anna La Nasa, Jacopo Duce, Celia Ormsby, Bronwyn Geppi, Marco Bonaduce, Ilaria |
author_facet | Nardelli, Francesca Martini, Francesca Lee, Judith Lluvears-Tenorio, Anna La Nasa, Jacopo Duce, Celia Ormsby, Bronwyn Geppi, Marco Bonaduce, Ilaria |
author_sort | Nardelli, Francesca |
collection | PubMed |
description | A molecular-level understanding of the structure of the polymeric network formed upon the curing of air-drying artists’ oil paints still represents a challenge. In this study we used a set of analytical methodologies classically employed for the characterisation of a paint film—based on infrared spectroscopy and mass spectrometry—in combination with solid state NMR (SSNMR), to characterise model paint layers which present different behaviours towards surface cleaning with water, a commonly applied procedure in art conservation. The study demonstrates, with the fundamental contribution of SSNMR, a relationship between the painting stability and the chemical structure of the polymeric network. In particular, it is demonstrated for the first time that a low degree of cross-linking in combination with a high degree of oxidation of the polymeric network render the oil paint layer sensitive to water. |
format | Online Article Text |
id | pubmed-8270892 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-82708922021-07-12 The stability of paintings and the molecular structure of the oil paint polymeric network Nardelli, Francesca Martini, Francesca Lee, Judith Lluvears-Tenorio, Anna La Nasa, Jacopo Duce, Celia Ormsby, Bronwyn Geppi, Marco Bonaduce, Ilaria Sci Rep Article A molecular-level understanding of the structure of the polymeric network formed upon the curing of air-drying artists’ oil paints still represents a challenge. In this study we used a set of analytical methodologies classically employed for the characterisation of a paint film—based on infrared spectroscopy and mass spectrometry—in combination with solid state NMR (SSNMR), to characterise model paint layers which present different behaviours towards surface cleaning with water, a commonly applied procedure in art conservation. The study demonstrates, with the fundamental contribution of SSNMR, a relationship between the painting stability and the chemical structure of the polymeric network. In particular, it is demonstrated for the first time that a low degree of cross-linking in combination with a high degree of oxidation of the polymeric network render the oil paint layer sensitive to water. Nature Publishing Group UK 2021-07-09 /pmc/articles/PMC8270892/ /pubmed/34244532 http://dx.doi.org/10.1038/s41598-021-93268-8 Text en © The Author(s) 2021 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Nardelli, Francesca Martini, Francesca Lee, Judith Lluvears-Tenorio, Anna La Nasa, Jacopo Duce, Celia Ormsby, Bronwyn Geppi, Marco Bonaduce, Ilaria The stability of paintings and the molecular structure of the oil paint polymeric network |
title | The stability of paintings and the molecular structure of the oil paint polymeric network |
title_full | The stability of paintings and the molecular structure of the oil paint polymeric network |
title_fullStr | The stability of paintings and the molecular structure of the oil paint polymeric network |
title_full_unstemmed | The stability of paintings and the molecular structure of the oil paint polymeric network |
title_short | The stability of paintings and the molecular structure of the oil paint polymeric network |
title_sort | stability of paintings and the molecular structure of the oil paint polymeric network |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8270892/ https://www.ncbi.nlm.nih.gov/pubmed/34244532 http://dx.doi.org/10.1038/s41598-021-93268-8 |
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