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Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why

13 Reasons Why is a Netflix original series adapted from Jay Asher’s 2007 young adult novel with the same title. Season 1 premiered on March 31, 2017 and featured the sensitive issue of teen suicide along with bullying, substance use, depression, and sexual assault. Unlike the typical teen dramas on...

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Autores principales: Wang, Hua, Parris, Juliet J.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Public Library of Science 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8357112/
https://www.ncbi.nlm.nih.gov/pubmed/34379642
http://dx.doi.org/10.1371/journal.pone.0255610
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author Wang, Hua
Parris, Juliet J.
author_facet Wang, Hua
Parris, Juliet J.
author_sort Wang, Hua
collection PubMed
description 13 Reasons Why is a Netflix original series adapted from Jay Asher’s 2007 young adult novel with the same title. Season 1 premiered on March 31, 2017 and featured the sensitive issue of teen suicide along with bullying, substance use, depression, and sexual assault. Unlike the typical teen dramas on popular streaming platforms, this show was created not only for entertainment, but also to stimulate conversations about taboo topics that people often shy away from. However, it also caused significant controversy, especially criticism around the main character Hannah’s suicide scene. More than three years into the initial controversy and at least two dozen scholarly publications later, this study is the first to examine the entertainment narrative content of 13 Reasons Why Season 1 to better understand how these health and social issues were portrayed in the show, what specific examples we could identify as potential behavioral modeling, and to what degree it complied with the 2017 WHO guidelines for media professionals. We used the framing theory and social cognitive theory in communication research and media studies as our guiding conceptual frameworks and a narrative analysis approach to investigate a total of 660 cut scenes in all 13 episodes. Our findings provided empirical evidence, along with contextual information and detailed examples, to demonstrate that a popular entertainment program like the Netflix series 13 Reasons Why serves as a double-edged sword. The production team’s good will and due diligence are commendable. Yet, additional steps can be taken in the future to effectively promote professional resources and reduce viewers’ risks, especially the most vulnerable groups.
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spelling pubmed-83571122021-08-12 Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why Wang, Hua Parris, Juliet J. PLoS One Research Article 13 Reasons Why is a Netflix original series adapted from Jay Asher’s 2007 young adult novel with the same title. Season 1 premiered on March 31, 2017 and featured the sensitive issue of teen suicide along with bullying, substance use, depression, and sexual assault. Unlike the typical teen dramas on popular streaming platforms, this show was created not only for entertainment, but also to stimulate conversations about taboo topics that people often shy away from. However, it also caused significant controversy, especially criticism around the main character Hannah’s suicide scene. More than three years into the initial controversy and at least two dozen scholarly publications later, this study is the first to examine the entertainment narrative content of 13 Reasons Why Season 1 to better understand how these health and social issues were portrayed in the show, what specific examples we could identify as potential behavioral modeling, and to what degree it complied with the 2017 WHO guidelines for media professionals. We used the framing theory and social cognitive theory in communication research and media studies as our guiding conceptual frameworks and a narrative analysis approach to investigate a total of 660 cut scenes in all 13 episodes. Our findings provided empirical evidence, along with contextual information and detailed examples, to demonstrate that a popular entertainment program like the Netflix series 13 Reasons Why serves as a double-edged sword. The production team’s good will and due diligence are commendable. Yet, additional steps can be taken in the future to effectively promote professional resources and reduce viewers’ risks, especially the most vulnerable groups. Public Library of Science 2021-08-11 /pmc/articles/PMC8357112/ /pubmed/34379642 http://dx.doi.org/10.1371/journal.pone.0255610 Text en © 2021 Wang, Parris https://creativecommons.org/licenses/by/4.0/This is an open access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
spellingShingle Research Article
Wang, Hua
Parris, Juliet J.
Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why
title Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why
title_full Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why
title_fullStr Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why
title_full_unstemmed Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why
title_short Popular media as a double-edged sword: An entertainment narrative analysis of the controversial Netflix series 13 Reasons Why
title_sort popular media as a double-edged sword: an entertainment narrative analysis of the controversial netflix series 13 reasons why
topic Research Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8357112/
https://www.ncbi.nlm.nih.gov/pubmed/34379642
http://dx.doi.org/10.1371/journal.pone.0255610
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