Cargando…
Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs
It is long hypothesized that there is a reliable, specific mapping between certain emotional states and the facial movements that express those states. This hypothesis is often tested by asking untrained participants to pose the facial movements they believe they use to express emotions during gener...
Autores principales: | , , , , , , |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2021
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8376986/ https://www.ncbi.nlm.nih.gov/pubmed/34413313 http://dx.doi.org/10.1038/s41467-021-25352-6 |
_version_ | 1783740565580414976 |
---|---|
author | Le Mau, Tuan Hoemann, Katie Lyons, Sam H. Fugate, Jennifer M. B. Brown, Emery N. Gendron, Maria Barrett, Lisa Feldman |
author_facet | Le Mau, Tuan Hoemann, Katie Lyons, Sam H. Fugate, Jennifer M. B. Brown, Emery N. Gendron, Maria Barrett, Lisa Feldman |
author_sort | Le Mau, Tuan |
collection | PubMed |
description | It is long hypothesized that there is a reliable, specific mapping between certain emotional states and the facial movements that express those states. This hypothesis is often tested by asking untrained participants to pose the facial movements they believe they use to express emotions during generic scenarios. Here, we test this hypothesis using, as stimuli, photographs of facial configurations posed by professional actors in response to contextually-rich scenarios. The scenarios portrayed in the photographs were rated by a convenience sample of participants for the extent to which they evoked an instance of 13 emotion categories, and actors’ facial poses were coded for their specific movements. Both unsupervised and supervised machine learning find that in these photographs, the actors portrayed emotional states with variable facial configurations; instances of only three emotion categories (fear, happiness, and surprise) were portrayed with moderate reliability and specificity. The photographs were separately rated by another sample of participants for the extent to which they portrayed an instance of the 13 emotion categories; they were rated when presented alone and when presented with their associated scenarios, revealing that emotion inferences by participants also vary in a context-sensitive manner. Together, these findings suggest that facial movements and perceptions of emotion vary by situation and transcend stereotypes of emotional expressions. Future research may build on these findings by incorporating dynamic stimuli rather than photographs and studying a broader range of cultural contexts. |
format | Online Article Text |
id | pubmed-8376986 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-83769862021-09-22 Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs Le Mau, Tuan Hoemann, Katie Lyons, Sam H. Fugate, Jennifer M. B. Brown, Emery N. Gendron, Maria Barrett, Lisa Feldman Nat Commun Article It is long hypothesized that there is a reliable, specific mapping between certain emotional states and the facial movements that express those states. This hypothesis is often tested by asking untrained participants to pose the facial movements they believe they use to express emotions during generic scenarios. Here, we test this hypothesis using, as stimuli, photographs of facial configurations posed by professional actors in response to contextually-rich scenarios. The scenarios portrayed in the photographs were rated by a convenience sample of participants for the extent to which they evoked an instance of 13 emotion categories, and actors’ facial poses were coded for their specific movements. Both unsupervised and supervised machine learning find that in these photographs, the actors portrayed emotional states with variable facial configurations; instances of only three emotion categories (fear, happiness, and surprise) were portrayed with moderate reliability and specificity. The photographs were separately rated by another sample of participants for the extent to which they portrayed an instance of the 13 emotion categories; they were rated when presented alone and when presented with their associated scenarios, revealing that emotion inferences by participants also vary in a context-sensitive manner. Together, these findings suggest that facial movements and perceptions of emotion vary by situation and transcend stereotypes of emotional expressions. Future research may build on these findings by incorporating dynamic stimuli rather than photographs and studying a broader range of cultural contexts. Nature Publishing Group UK 2021-08-19 /pmc/articles/PMC8376986/ /pubmed/34413313 http://dx.doi.org/10.1038/s41467-021-25352-6 Text en © The Author(s) 2021 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Le Mau, Tuan Hoemann, Katie Lyons, Sam H. Fugate, Jennifer M. B. Brown, Emery N. Gendron, Maria Barrett, Lisa Feldman Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs |
title | Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs |
title_full | Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs |
title_fullStr | Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs |
title_full_unstemmed | Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs |
title_short | Professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs |
title_sort | professional actors demonstrate variability, not stereotypical expressions, when portraying emotional states in photographs |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8376986/ https://www.ncbi.nlm.nih.gov/pubmed/34413313 http://dx.doi.org/10.1038/s41467-021-25352-6 |
work_keys_str_mv | AT lemautuan professionalactorsdemonstratevariabilitynotstereotypicalexpressionswhenportrayingemotionalstatesinphotographs AT hoemannkatie professionalactorsdemonstratevariabilitynotstereotypicalexpressionswhenportrayingemotionalstatesinphotographs AT lyonssamh professionalactorsdemonstratevariabilitynotstereotypicalexpressionswhenportrayingemotionalstatesinphotographs AT fugatejennifermb professionalactorsdemonstratevariabilitynotstereotypicalexpressionswhenportrayingemotionalstatesinphotographs AT brownemeryn professionalactorsdemonstratevariabilitynotstereotypicalexpressionswhenportrayingemotionalstatesinphotographs AT gendronmaria professionalactorsdemonstratevariabilitynotstereotypicalexpressionswhenportrayingemotionalstatesinphotographs AT barrettlisafeldman professionalactorsdemonstratevariabilitynotstereotypicalexpressionswhenportrayingemotionalstatesinphotographs |