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Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives

INTRODUCTION: Music and dance are increasingly used as adjunctive arts-in-health interventions in high-income settings, with a growing body of research suggesting biopsychosocial benefits. Such low-cost, low-resource interventions may have application in low-resource settings such as Uganda. However...

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Autores principales: Philip, Keir EJ, Cartwright, Lucy L, Westlake, Debra, Nyakoojo, Grace, Kimuli, Ivan, Kirenga, Bruce, Brakema, Evelyn A, Orme, Mark W, Fancourt, Daisy, Hopkinson, Nicholas S, Jones, Rupert, Katagira, Winceslaus
Formato: Online Artículo Texto
Lenguaje:English
Publicado: BMJ Publishing Group 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8461694/
https://www.ncbi.nlm.nih.gov/pubmed/34556518
http://dx.doi.org/10.1136/bmjopen-2021-053189
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author Philip, Keir EJ
Cartwright, Lucy L
Westlake, Debra
Nyakoojo, Grace
Kimuli, Ivan
Kirenga, Bruce
Brakema, Evelyn A
Orme, Mark W
Fancourt, Daisy
Hopkinson, Nicholas S
Jones, Rupert
Katagira, Winceslaus
author_facet Philip, Keir EJ
Cartwright, Lucy L
Westlake, Debra
Nyakoojo, Grace
Kimuli, Ivan
Kirenga, Bruce
Brakema, Evelyn A
Orme, Mark W
Fancourt, Daisy
Hopkinson, Nicholas S
Jones, Rupert
Katagira, Winceslaus
author_sort Philip, Keir EJ
collection PubMed
description INTRODUCTION: Music and dance are increasingly used as adjunctive arts-in-health interventions in high-income settings, with a growing body of research suggesting biopsychosocial benefits. Such low-cost, low-resource interventions may have application in low-resource settings such as Uganda. However, research on perceptions of patients and healthcare professionals regarding such approaches is lacking. METHODS: We delivered sample sessions of music and dance for chronic respiratory disease (CRD) to patients and healthcare professionals. Seven participants took part in one singing and dance sample session. One patient completed only the dance session. We then conducted an exploratory qualitative study using thematic analysis of semistructured interviews with healthcare professionals and patients regarding (1) the role of music and dance in Ugandan life and (2) the perceived acceptability and feasibility of using music and dance in CRD management in Uganda. RESULTS: We interviewed 19 participants, made up of 11 patients with long-term respiratory conditions and 8 healthcare professionals, who were selected by purposeful convenience sampling. Four key themes were identified from interview analysis: music and dance (1) were central components of daily life; (2) had an established role supporting health and well-being; and (3) had strong therapeutic potential in respiratory disease management. The fourth theme was (4) the importance of modulating demographic considerations of culture, religion and age. CONCLUSION: Music and dance are central to life in Uganda, with established roles supporting health and well-being. These roles could be built on in the development of music and dance interventions as adjuncts to established components of CRD disease management like pulmonary rehabilitation. Through consideration of key contextual factors and codevelopment and adaptation of interventions, such approaches are likely to be well received.
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spelling pubmed-84616942021-10-08 Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives Philip, Keir EJ Cartwright, Lucy L Westlake, Debra Nyakoojo, Grace Kimuli, Ivan Kirenga, Bruce Brakema, Evelyn A Orme, Mark W Fancourt, Daisy Hopkinson, Nicholas S Jones, Rupert Katagira, Winceslaus BMJ Open Respiratory Medicine INTRODUCTION: Music and dance are increasingly used as adjunctive arts-in-health interventions in high-income settings, with a growing body of research suggesting biopsychosocial benefits. Such low-cost, low-resource interventions may have application in low-resource settings such as Uganda. However, research on perceptions of patients and healthcare professionals regarding such approaches is lacking. METHODS: We delivered sample sessions of music and dance for chronic respiratory disease (CRD) to patients and healthcare professionals. Seven participants took part in one singing and dance sample session. One patient completed only the dance session. We then conducted an exploratory qualitative study using thematic analysis of semistructured interviews with healthcare professionals and patients regarding (1) the role of music and dance in Ugandan life and (2) the perceived acceptability and feasibility of using music and dance in CRD management in Uganda. RESULTS: We interviewed 19 participants, made up of 11 patients with long-term respiratory conditions and 8 healthcare professionals, who were selected by purposeful convenience sampling. Four key themes were identified from interview analysis: music and dance (1) were central components of daily life; (2) had an established role supporting health and well-being; and (3) had strong therapeutic potential in respiratory disease management. The fourth theme was (4) the importance of modulating demographic considerations of culture, religion and age. CONCLUSION: Music and dance are central to life in Uganda, with established roles supporting health and well-being. These roles could be built on in the development of music and dance interventions as adjuncts to established components of CRD disease management like pulmonary rehabilitation. Through consideration of key contextual factors and codevelopment and adaptation of interventions, such approaches are likely to be well received. BMJ Publishing Group 2021-09-23 /pmc/articles/PMC8461694/ /pubmed/34556518 http://dx.doi.org/10.1136/bmjopen-2021-053189 Text en © Author(s) (or their employer(s)) 2021. Re-use permitted under CC BY. Published by BMJ. https://creativecommons.org/licenses/by/4.0/This is an open access article distributed in accordance with the Creative Commons Attribution 4.0 Unported (CC BY 4.0) license, which permits others to copy, redistribute, remix, transform and build upon this work for any purpose, provided the original work is properly cited, a link to the licence is given, and indication of whether changes were made. See: https://creativecommons.org/licenses/by/4.0/.
spellingShingle Respiratory Medicine
Philip, Keir EJ
Cartwright, Lucy L
Westlake, Debra
Nyakoojo, Grace
Kimuli, Ivan
Kirenga, Bruce
Brakema, Evelyn A
Orme, Mark W
Fancourt, Daisy
Hopkinson, Nicholas S
Jones, Rupert
Katagira, Winceslaus
Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives
title Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives
title_full Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives
title_fullStr Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives
title_full_unstemmed Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives
title_short Music and dance in respiratory disease management in Uganda: a qualitative study of patient and healthcare professional perspectives
title_sort music and dance in respiratory disease management in uganda: a qualitative study of patient and healthcare professional perspectives
topic Respiratory Medicine
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8461694/
https://www.ncbi.nlm.nih.gov/pubmed/34556518
http://dx.doi.org/10.1136/bmjopen-2021-053189
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