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Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program

The “Different Hearing” program (DHP) is an educational activity aimed at stimulating musical creativity of children and adults by group composing in the classroom, alternative to the mainstream model of music education in Czechia. Composing in the classroom in the DHP context does not use tradition...

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Autores principales: Arkhipova, Anna, Hok, Pavel, Valošek, Jan, Trnečková, Markéta, Všetičková, Gabriela, Coufalová, Gabriela, Synek, Jaromír, Zouhar, Vít, Hluštík, Petr
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8517178/
https://www.ncbi.nlm.nih.gov/pubmed/34658759
http://dx.doi.org/10.3389/fnins.2021.703620
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author Arkhipova, Anna
Hok, Pavel
Valošek, Jan
Trnečková, Markéta
Všetičková, Gabriela
Coufalová, Gabriela
Synek, Jaromír
Zouhar, Vít
Hluštík, Petr
author_facet Arkhipova, Anna
Hok, Pavel
Valošek, Jan
Trnečková, Markéta
Všetičková, Gabriela
Coufalová, Gabriela
Synek, Jaromír
Zouhar, Vít
Hluštík, Petr
author_sort Arkhipova, Anna
collection PubMed
description The “Different Hearing” program (DHP) is an educational activity aimed at stimulating musical creativity of children and adults by group composing in the classroom, alternative to the mainstream model of music education in Czechia. Composing in the classroom in the DHP context does not use traditional musical instruments or notation, instead, the participants use their bodies, sounds originating from common objects as well as environmental sounds as the “elements” for music composition by the participants’ team, with the teacher initiating and then participating and coordinating the creative process, which ends with writing down a graphical score and then performing the composition in front of an audience. The DHP methodology works with a wide definition of musical composition. We hypothesized that the DHP short-term (2 days) intense workshop would induce changes in subjective appreciation of different classes of music and sound (including typical samples of music composed in the DHP course), as well as plastic changes of the brain systems engaged in creative thinking and music perception, in their response to diverse auditory stimuli. In our study, 22 healthy university students participated in the workshop over 2 days and underwent fMRI examinations before and after the workshop, meanwhile 24 students were also scanned twice as a control group. During fMRI, each subject was listening to musical and non-musical sound samples, indicating their esthetic impression with a button press after each sample. As a result, participants’ favorable feelings toward non-musical sound samples were significantly increased only in the active group. fMRI data analyzed using ANOVA with post hoc ROI analysis showed significant group-by-time interaction (opposing trends in the two groups) in the bilateral posterior cingulate cortex/precuneus, which are functional hubs of the default mode network (DMN) and in parts of the executive, motor, and auditory networks. The findings suggest that DHP training modified the behavioral and brain response to diverse sound samples, differentially changing the engagement of functional networks known to be related to creative thinking, namely, increasing DMN activation and decreasing activation of the executive network.
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spelling pubmed-85171782021-10-16 Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program Arkhipova, Anna Hok, Pavel Valošek, Jan Trnečková, Markéta Všetičková, Gabriela Coufalová, Gabriela Synek, Jaromír Zouhar, Vít Hluštík, Petr Front Neurosci Neuroscience The “Different Hearing” program (DHP) is an educational activity aimed at stimulating musical creativity of children and adults by group composing in the classroom, alternative to the mainstream model of music education in Czechia. Composing in the classroom in the DHP context does not use traditional musical instruments or notation, instead, the participants use their bodies, sounds originating from common objects as well as environmental sounds as the “elements” for music composition by the participants’ team, with the teacher initiating and then participating and coordinating the creative process, which ends with writing down a graphical score and then performing the composition in front of an audience. The DHP methodology works with a wide definition of musical composition. We hypothesized that the DHP short-term (2 days) intense workshop would induce changes in subjective appreciation of different classes of music and sound (including typical samples of music composed in the DHP course), as well as plastic changes of the brain systems engaged in creative thinking and music perception, in their response to diverse auditory stimuli. In our study, 22 healthy university students participated in the workshop over 2 days and underwent fMRI examinations before and after the workshop, meanwhile 24 students were also scanned twice as a control group. During fMRI, each subject was listening to musical and non-musical sound samples, indicating their esthetic impression with a button press after each sample. As a result, participants’ favorable feelings toward non-musical sound samples were significantly increased only in the active group. fMRI data analyzed using ANOVA with post hoc ROI analysis showed significant group-by-time interaction (opposing trends in the two groups) in the bilateral posterior cingulate cortex/precuneus, which are functional hubs of the default mode network (DMN) and in parts of the executive, motor, and auditory networks. The findings suggest that DHP training modified the behavioral and brain response to diverse sound samples, differentially changing the engagement of functional networks known to be related to creative thinking, namely, increasing DMN activation and decreasing activation of the executive network. Frontiers Media S.A. 2021-10-01 /pmc/articles/PMC8517178/ /pubmed/34658759 http://dx.doi.org/10.3389/fnins.2021.703620 Text en Copyright © 2021 Arkhipova, Hok, Valošek, Trnečková, Všetičková, Coufalová, Synek, Zouhar and Hluštík. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Neuroscience
Arkhipova, Anna
Hok, Pavel
Valošek, Jan
Trnečková, Markéta
Všetičková, Gabriela
Coufalová, Gabriela
Synek, Jaromír
Zouhar, Vít
Hluštík, Petr
Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program
title Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program
title_full Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program
title_fullStr Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program
title_full_unstemmed Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program
title_short Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the “Different Hearing” Program
title_sort changes in brain responses to music and non-music sounds following creativity training within the “different hearing” program
topic Neuroscience
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8517178/
https://www.ncbi.nlm.nih.gov/pubmed/34658759
http://dx.doi.org/10.3389/fnins.2021.703620
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