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Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance

Classical musicians face a high demand for flawless and expressive performance, leading to highly intensified practice activity. Whereas the advantage of using mental strategies is well documented in sports research, few studies have explored the efficacy of mental imagery and overt singing on music...

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Autores principales: Steenstrup, Kristian, Haumann, Niels Trusbak, Kleber, Boris, Camarasa, Carles, Vuust, Peter, Petersen, Bjørn
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8573425/
https://www.ncbi.nlm.nih.gov/pubmed/34759873
http://dx.doi.org/10.3389/fpsyg.2021.757052
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author Steenstrup, Kristian
Haumann, Niels Trusbak
Kleber, Boris
Camarasa, Carles
Vuust, Peter
Petersen, Bjørn
author_facet Steenstrup, Kristian
Haumann, Niels Trusbak
Kleber, Boris
Camarasa, Carles
Vuust, Peter
Petersen, Bjørn
author_sort Steenstrup, Kristian
collection PubMed
description Classical musicians face a high demand for flawless and expressive performance, leading to highly intensified practice activity. Whereas the advantage of using mental strategies is well documented in sports research, few studies have explored the efficacy of mental imagery and overt singing on musical instrumental learning. In this study, 50 classically trained trumpet students performed short unfamiliar pieces. Performances were recorded before and after applying four prescribed practice strategies which were (1) physical practice, (2) mental imagery, (3) overt singing with optional use of solfege, (4) a combination of 1, 2 and 3 or a control condition, no practice. Three experts independently assessed pitch and rhythm accuracy, sound quality, intonation, and musical expression in all recordings. We found higher gains in the overall performance, as well as in pitch accuracy for the physical practice, and the combined practice strategies, compared to no practice. Furthermore, only the combined strategy yielded a significant improvement in musical expression. Pitch performance improvement was positively correlated with previous solfege training and frequent use of random practice strategies. The findings highlight benefits from applying practice strategies that complement physical practice in music instrument practice in short term early stages of learning a new piece. The study may generalize to other forms of learning, involving cognitive processes and motor skills.
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spelling pubmed-85734252021-11-09 Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance Steenstrup, Kristian Haumann, Niels Trusbak Kleber, Boris Camarasa, Carles Vuust, Peter Petersen, Bjørn Front Psychol Psychology Classical musicians face a high demand for flawless and expressive performance, leading to highly intensified practice activity. Whereas the advantage of using mental strategies is well documented in sports research, few studies have explored the efficacy of mental imagery and overt singing on musical instrumental learning. In this study, 50 classically trained trumpet students performed short unfamiliar pieces. Performances were recorded before and after applying four prescribed practice strategies which were (1) physical practice, (2) mental imagery, (3) overt singing with optional use of solfege, (4) a combination of 1, 2 and 3 or a control condition, no practice. Three experts independently assessed pitch and rhythm accuracy, sound quality, intonation, and musical expression in all recordings. We found higher gains in the overall performance, as well as in pitch accuracy for the physical practice, and the combined practice strategies, compared to no practice. Furthermore, only the combined strategy yielded a significant improvement in musical expression. Pitch performance improvement was positively correlated with previous solfege training and frequent use of random practice strategies. The findings highlight benefits from applying practice strategies that complement physical practice in music instrument practice in short term early stages of learning a new piece. The study may generalize to other forms of learning, involving cognitive processes and motor skills. Frontiers Media S.A. 2021-10-25 /pmc/articles/PMC8573425/ /pubmed/34759873 http://dx.doi.org/10.3389/fpsyg.2021.757052 Text en Copyright © 2021 Steenstrup, Haumann, Kleber, Camarasa, Vuust and Petersen. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Steenstrup, Kristian
Haumann, Niels Trusbak
Kleber, Boris
Camarasa, Carles
Vuust, Peter
Petersen, Bjørn
Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance
title Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance
title_full Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance
title_fullStr Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance
title_full_unstemmed Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance
title_short Imagine, Sing, Play- Combined Mental, Vocal and Physical Practice Improves Musical Performance
title_sort imagine, sing, play- combined mental, vocal and physical practice improves musical performance
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8573425/
https://www.ncbi.nlm.nih.gov/pubmed/34759873
http://dx.doi.org/10.3389/fpsyg.2021.757052
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