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Substituting facial movements in singers changes the sounds of musical intervals

Cross-modal integration is ubiquitous within perception and, in humans, the McGurk effect demonstrates that seeing a person articulating speech can change what we hear into a new auditory percept. It remains unclear whether cross-modal integration of sight and sound generalizes to other visible voca...

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Autores principales: Laeng, Bruno, Kuyateh, Sarjo, Kelkar, Tejaswinee
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8599708/
https://www.ncbi.nlm.nih.gov/pubmed/34789775
http://dx.doi.org/10.1038/s41598-021-01797-z
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author Laeng, Bruno
Kuyateh, Sarjo
Kelkar, Tejaswinee
author_facet Laeng, Bruno
Kuyateh, Sarjo
Kelkar, Tejaswinee
author_sort Laeng, Bruno
collection PubMed
description Cross-modal integration is ubiquitous within perception and, in humans, the McGurk effect demonstrates that seeing a person articulating speech can change what we hear into a new auditory percept. It remains unclear whether cross-modal integration of sight and sound generalizes to other visible vocal articulations like those made by singers. We surmise that perceptual integrative effects should involve music deeply, since there is ample indeterminacy and variability in its auditory signals. We show that switching videos of sung musical intervals changes systematically the estimated distance between two notes of a musical interval so that pairing the video of a smaller sung interval to a relatively larger auditory led to compression effects on rated intervals, whereas the reverse led to a stretching effect. In addition, after seeing a visually switched video of an equally-tempered sung interval and then hearing the same interval played on the piano, the two intervals were judged often different though they differed only in instrument. These findings reveal spontaneous, cross-modal, integration of vocal sounds and clearly indicate that strong integration of sound and sight can occur beyond the articulations of natural speech.
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spelling pubmed-85997082021-11-19 Substituting facial movements in singers changes the sounds of musical intervals Laeng, Bruno Kuyateh, Sarjo Kelkar, Tejaswinee Sci Rep Article Cross-modal integration is ubiquitous within perception and, in humans, the McGurk effect demonstrates that seeing a person articulating speech can change what we hear into a new auditory percept. It remains unclear whether cross-modal integration of sight and sound generalizes to other visible vocal articulations like those made by singers. We surmise that perceptual integrative effects should involve music deeply, since there is ample indeterminacy and variability in its auditory signals. We show that switching videos of sung musical intervals changes systematically the estimated distance between two notes of a musical interval so that pairing the video of a smaller sung interval to a relatively larger auditory led to compression effects on rated intervals, whereas the reverse led to a stretching effect. In addition, after seeing a visually switched video of an equally-tempered sung interval and then hearing the same interval played on the piano, the two intervals were judged often different though they differed only in instrument. These findings reveal spontaneous, cross-modal, integration of vocal sounds and clearly indicate that strong integration of sound and sight can occur beyond the articulations of natural speech. Nature Publishing Group UK 2021-11-17 /pmc/articles/PMC8599708/ /pubmed/34789775 http://dx.doi.org/10.1038/s41598-021-01797-z Text en © The Author(s) 2021 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) .
spellingShingle Article
Laeng, Bruno
Kuyateh, Sarjo
Kelkar, Tejaswinee
Substituting facial movements in singers changes the sounds of musical intervals
title Substituting facial movements in singers changes the sounds of musical intervals
title_full Substituting facial movements in singers changes the sounds of musical intervals
title_fullStr Substituting facial movements in singers changes the sounds of musical intervals
title_full_unstemmed Substituting facial movements in singers changes the sounds of musical intervals
title_short Substituting facial movements in singers changes the sounds of musical intervals
title_sort substituting facial movements in singers changes the sounds of musical intervals
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8599708/
https://www.ncbi.nlm.nih.gov/pubmed/34789775
http://dx.doi.org/10.1038/s41598-021-01797-z
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