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On reappearance and complexity in musical calling
Music is especially valued in human societies, but music-like behavior in the form of song also occurs in a variety of other animal groups including primates. The calling of our primate ancestors may well have evolved into the music of modern humans via multiple selective scenarios. But efforts to u...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Public Library of Science
2021
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8683036/ https://www.ncbi.nlm.nih.gov/pubmed/34919558 http://dx.doi.org/10.1371/journal.pone.0218006 |
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author | Schruth, David M. Templeton, Christopher N. Holman, Darryl J. |
author_facet | Schruth, David M. Templeton, Christopher N. Holman, Darryl J. |
author_sort | Schruth, David M. |
collection | PubMed |
description | Music is especially valued in human societies, but music-like behavior in the form of song also occurs in a variety of other animal groups including primates. The calling of our primate ancestors may well have evolved into the music of modern humans via multiple selective scenarios. But efforts to uncover these influences have been hindered by the challenge of precisely defining musical behavior in a way that could be more generally applied across species. We propose an acoustic focused reconsideration of “musicality” that could help enable independent inquiry into potential ecological pressures on the evolutionary emergence of such behavior. Using published spectrographic images (n = 832 vocalizations) from the primate vocalization literature, we developed a quantitative formulation that could be used to help recognize signatures of human-like musicality in the acoustic displays of other species. We visually scored each spectrogram along six structural features from human music—tone, interval, transposition, repetition, rhythm, and syllabic variation—and reduced this multivariate assessment into a concise measure of musical patterning, as informed by principal components analysis. The resulting acoustic reappearance diversity index (ARDI) estimates the number of different reappearing syllables within a call type. ARDI is in concordance with traditional measures of bird song complexity yet more readily identifies shorter, more subtly melodic primate vocalizations. We demonstrate the potential utility of this index by using it to corroborate several origins scenarios. When comparing ARDI scores with ecological features, our data suggest that vocalizations with diversely reappearing elements have a pronounced association with both social and environmental factors. Musical calls were moderately associated with wooded habitats and arboreal foraging, providing partial support for the acoustic adaptation hypothesis. But musical calling was most strongly associated with social monogamy, suggestive of selection for constituents of small family-sized groups by neighboring conspecifics. In sum, ARDI helps construe musical behavior along a continuum, accommodates non-human musicality, and enables gradualistic co-evolutionary paths between primate taxa—ranging from the more inhibited locational calls of archaic primates to the more exhibitional displays of modern apes. |
format | Online Article Text |
id | pubmed-8683036 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | Public Library of Science |
record_format | MEDLINE/PubMed |
spelling | pubmed-86830362021-12-18 On reappearance and complexity in musical calling Schruth, David M. Templeton, Christopher N. Holman, Darryl J. PLoS One Research Article Music is especially valued in human societies, but music-like behavior in the form of song also occurs in a variety of other animal groups including primates. The calling of our primate ancestors may well have evolved into the music of modern humans via multiple selective scenarios. But efforts to uncover these influences have been hindered by the challenge of precisely defining musical behavior in a way that could be more generally applied across species. We propose an acoustic focused reconsideration of “musicality” that could help enable independent inquiry into potential ecological pressures on the evolutionary emergence of such behavior. Using published spectrographic images (n = 832 vocalizations) from the primate vocalization literature, we developed a quantitative formulation that could be used to help recognize signatures of human-like musicality in the acoustic displays of other species. We visually scored each spectrogram along six structural features from human music—tone, interval, transposition, repetition, rhythm, and syllabic variation—and reduced this multivariate assessment into a concise measure of musical patterning, as informed by principal components analysis. The resulting acoustic reappearance diversity index (ARDI) estimates the number of different reappearing syllables within a call type. ARDI is in concordance with traditional measures of bird song complexity yet more readily identifies shorter, more subtly melodic primate vocalizations. We demonstrate the potential utility of this index by using it to corroborate several origins scenarios. When comparing ARDI scores with ecological features, our data suggest that vocalizations with diversely reappearing elements have a pronounced association with both social and environmental factors. Musical calls were moderately associated with wooded habitats and arboreal foraging, providing partial support for the acoustic adaptation hypothesis. But musical calling was most strongly associated with social monogamy, suggestive of selection for constituents of small family-sized groups by neighboring conspecifics. In sum, ARDI helps construe musical behavior along a continuum, accommodates non-human musicality, and enables gradualistic co-evolutionary paths between primate taxa—ranging from the more inhibited locational calls of archaic primates to the more exhibitional displays of modern apes. Public Library of Science 2021-12-17 /pmc/articles/PMC8683036/ /pubmed/34919558 http://dx.doi.org/10.1371/journal.pone.0218006 Text en © 2021 Schruth et al https://creativecommons.org/licenses/by/4.0/This is an open access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
spellingShingle | Research Article Schruth, David M. Templeton, Christopher N. Holman, Darryl J. On reappearance and complexity in musical calling |
title | On reappearance and complexity in musical calling |
title_full | On reappearance and complexity in musical calling |
title_fullStr | On reappearance and complexity in musical calling |
title_full_unstemmed | On reappearance and complexity in musical calling |
title_short | On reappearance and complexity in musical calling |
title_sort | on reappearance and complexity in musical calling |
topic | Research Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8683036/ https://www.ncbi.nlm.nih.gov/pubmed/34919558 http://dx.doi.org/10.1371/journal.pone.0218006 |
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