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Characterization of fin whale song off the Western Antarctic Peninsula
Song is produced by a variety of terrestrial and marine animals and is particularly common among baleen whales. Fin whale (Balaenoptera physalus) song is comprised of relatively simple 20 Hz pulses produced at regular intervals. The timing of these intervals, in addition to the presence and frequenc...
Autores principales: | , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Public Library of Science
2022
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8912240/ https://www.ncbi.nlm.nih.gov/pubmed/35271610 http://dx.doi.org/10.1371/journal.pone.0264214 |
Sumario: | Song is produced by a variety of terrestrial and marine animals and is particularly common among baleen whales. Fin whale (Balaenoptera physalus) song is comprised of relatively simple 20 Hz pulses produced at regular intervals. The timing of these intervals, in addition to the presence and frequency of overtones, appears to be unique to each population. The purpose of this study was to characterize Western Antarctic Peninsula fin whale song and describe temporal pattern variations in song type and occurrence. Recordings were collected in the area from 2001–2004 and again 2014–2016. One song type was identified with a primary inter-pulse interval (IPI) of approximately 14 s and secondary IPI of 12.5 s. This song occurred in three pattern variants: singlet, doublet, and long triplet. The interval between pulses increased by 1.5 s between recording periods while the frequency of the overtones decreased from 89 Hz to 86 Hz. Song was never recorded in August and while it was recorded at other times in some years, it was consistently present in recordings from April through June across all years. While multiple pattern variants were present each year, singlets were generally the most prevalent variant. Doublets and triplets occurred from February through June, with highest levels of variants in February. In later years the triplet variant presence increased and in 2016 it comprised 53% of recorded song bouts. Further research is needed to understand the reasons why song changes over time and to examine the feasibility of using song to delineate and identify populations. |
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