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Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium

In contrast to what films such as Titanic would have people believe, scientific knowledge about ocean liners is fairly limited. These boats and their material culture, however, functioned as symbols of modernity par excellence and thus allow a better understanding of the advent of a new world at the...

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Autor principal: Poulain, Maxime
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer International Publishing 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8998165/
https://www.ncbi.nlm.nih.gov/pubmed/35431418
http://dx.doi.org/10.1007/s41636-021-00315-2
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author Poulain, Maxime
author_facet Poulain, Maxime
author_sort Poulain, Maxime
collection PubMed
description In contrast to what films such as Titanic would have people believe, scientific knowledge about ocean liners is fairly limited. These boats and their material culture, however, functioned as symbols of modernity par excellence and thus allow a better understanding of the advent of a new world at the turn of the 20th century. The focus of this article is a ceramic assemblage from the Red Star Line, the shipping company that transported some two million migrants from Antwerp (Belgium) to the United States between 1873 and 1934. The analysis of this material provides new insights into the furnishings and daily life aboard these ships. Moreover, the possible reuse of these maritime objects ashore forms a basis for a discussion of the ways in which ordinary people entered into the modern world using material culture and to what extent they might have embraced the values associated with these mass-produced goods.
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spelling pubmed-89981652022-04-12 Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium Poulain, Maxime Hist Archaeol Original Article In contrast to what films such as Titanic would have people believe, scientific knowledge about ocean liners is fairly limited. These boats and their material culture, however, functioned as symbols of modernity par excellence and thus allow a better understanding of the advent of a new world at the turn of the 20th century. The focus of this article is a ceramic assemblage from the Red Star Line, the shipping company that transported some two million migrants from Antwerp (Belgium) to the United States between 1873 and 1934. The analysis of this material provides new insights into the furnishings and daily life aboard these ships. Moreover, the possible reuse of these maritime objects ashore forms a basis for a discussion of the ways in which ordinary people entered into the modern world using material culture and to what extent they might have embraced the values associated with these mass-produced goods. Springer International Publishing 2022-04-11 2022 /pmc/articles/PMC8998165/ /pubmed/35431418 http://dx.doi.org/10.1007/s41636-021-00315-2 Text en © Society for Historical Archaeology 2022 This article is made available via the PMC Open Access Subset for unrestricted research re-use and secondary analysis in any form or by any means with acknowledgement of the original source. These permissions are granted for the duration of the World Health Organization (WHO) declaration of COVID-19 as a global pandemic.
spellingShingle Original Article
Poulain, Maxime
Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium
title Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium
title_full Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium
title_fullStr Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium
title_full_unstemmed Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium
title_short Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, Belgium
title_sort ocean-liner ceramics: a red star line assemblage in antwerp, belgium
topic Original Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8998165/
https://www.ncbi.nlm.nih.gov/pubmed/35431418
http://dx.doi.org/10.1007/s41636-021-00315-2
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