Cargando…
The Art of Sim-Making: What to Learn from Film-Making
The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, “Writing Powerful Narrative...
Autores principales: | , , , , , , , , , |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Wolters Kluwer - Medknow
2022
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9006725/ https://www.ncbi.nlm.nih.gov/pubmed/35431474 http://dx.doi.org/10.4103/jets.jets_153_21 |
_version_ | 1784686722012938240 |
---|---|
author | Lateef, Fatimah Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Rahman, Mohamed Alwi Abdul Krishnan, S Vimal Wahid Ali, Afrah Abdul Goncalves, Rose V Galwankar, Sagar |
author_facet | Lateef, Fatimah Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Rahman, Mohamed Alwi Abdul Krishnan, S Vimal Wahid Ali, Afrah Abdul Goncalves, Rose V Galwankar, Sagar |
author_sort | Lateef, Fatimah |
collection | PubMed |
description | The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, “Writing Powerful Narratives,” depiction of emotional elements, specific industry-driven developments as well as the “cultural considerations” in both. For medical simulation and simulation-based education, the corresponding stages are as follows: Development. Preproduction. Production. Postproduction and Distribution. The art of sim-making has many similarities to that of film-making. In fact, there is potentially much to be learnt from the film-making process in cinematography and storytelling. Both film-making and sim-making can be seen from the artistic perspective as starting with a large piece of blank, white sheet of paper, which will need to be colored by the “artists” and personnel involved; in the former, to come up with the film and for the latter, to engage learners and ensure learning takes place, which is then translated into action for patients in the actual clinical care areas. Both entities have to go through a series of systematic stages. For film-making, the stages are as follows: Identification of problems and needs analysis. Setting objectives, based on educational strategies. Implementation of the simulation activity. Debriefing and evaluation, as well as Fine-tuning for future use and archiving of scenarios/cases. |
format | Online Article Text |
id | pubmed-9006725 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Wolters Kluwer - Medknow |
record_format | MEDLINE/PubMed |
spelling | pubmed-90067252022-04-14 The Art of Sim-Making: What to Learn from Film-Making Lateef, Fatimah Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Rahman, Mohamed Alwi Abdul Krishnan, S Vimal Wahid Ali, Afrah Abdul Goncalves, Rose V Galwankar, Sagar J Emerg Trauma Shock Expert Commentary The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, “Writing Powerful Narratives,” depiction of emotional elements, specific industry-driven developments as well as the “cultural considerations” in both. For medical simulation and simulation-based education, the corresponding stages are as follows: Development. Preproduction. Production. Postproduction and Distribution. The art of sim-making has many similarities to that of film-making. In fact, there is potentially much to be learnt from the film-making process in cinematography and storytelling. Both film-making and sim-making can be seen from the artistic perspective as starting with a large piece of blank, white sheet of paper, which will need to be colored by the “artists” and personnel involved; in the former, to come up with the film and for the latter, to engage learners and ensure learning takes place, which is then translated into action for patients in the actual clinical care areas. Both entities have to go through a series of systematic stages. For film-making, the stages are as follows: Identification of problems and needs analysis. Setting objectives, based on educational strategies. Implementation of the simulation activity. Debriefing and evaluation, as well as Fine-tuning for future use and archiving of scenarios/cases. Wolters Kluwer - Medknow 2022 2022-04-04 /pmc/articles/PMC9006725/ /pubmed/35431474 http://dx.doi.org/10.4103/jets.jets_153_21 Text en Copyright: © 2022 Journal of Emergencies, Trauma, and Shock https://creativecommons.org/licenses/by-nc-sa/4.0/This is an open access journal, and articles are distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 License, which allows others to remix, tweak, and build upon the work non-commercially, as long as appropriate credit is given and the new creations are licensed under the identical terms. |
spellingShingle | Expert Commentary Lateef, Fatimah Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Rahman, Mohamed Alwi Abdul Krishnan, S Vimal Wahid Ali, Afrah Abdul Goncalves, Rose V Galwankar, Sagar The Art of Sim-Making: What to Learn from Film-Making |
title | The Art of Sim-Making: What to Learn from Film-Making |
title_full | The Art of Sim-Making: What to Learn from Film-Making |
title_fullStr | The Art of Sim-Making: What to Learn from Film-Making |
title_full_unstemmed | The Art of Sim-Making: What to Learn from Film-Making |
title_short | The Art of Sim-Making: What to Learn from Film-Making |
title_sort | art of sim-making: what to learn from film-making |
topic | Expert Commentary |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9006725/ https://www.ncbi.nlm.nih.gov/pubmed/35431474 http://dx.doi.org/10.4103/jets.jets_153_21 |
work_keys_str_mv | AT lateeffatimah theartofsimmakingwhattolearnfromfilmmaking AT pecklerbrad theartofsimmakingwhattolearnfromfilmmaking AT saindoneric theartofsimmakingwhattolearnfromfilmmaking AT chandrashruti theartofsimmakingwhattolearnfromfilmmaking AT sardesaiindrani theartofsimmakingwhattolearnfromfilmmaking AT rahmanmohamedalwiabdul theartofsimmakingwhattolearnfromfilmmaking AT krishnansvimal theartofsimmakingwhattolearnfromfilmmaking AT wahidaliafrahabdul theartofsimmakingwhattolearnfromfilmmaking AT goncalvesrosev theartofsimmakingwhattolearnfromfilmmaking AT galwankarsagar theartofsimmakingwhattolearnfromfilmmaking AT lateeffatimah artofsimmakingwhattolearnfromfilmmaking AT pecklerbrad artofsimmakingwhattolearnfromfilmmaking AT saindoneric artofsimmakingwhattolearnfromfilmmaking AT chandrashruti artofsimmakingwhattolearnfromfilmmaking AT sardesaiindrani artofsimmakingwhattolearnfromfilmmaking AT rahmanmohamedalwiabdul artofsimmakingwhattolearnfromfilmmaking AT krishnansvimal artofsimmakingwhattolearnfromfilmmaking AT wahidaliafrahabdul artofsimmakingwhattolearnfromfilmmaking AT goncalvesrosev artofsimmakingwhattolearnfromfilmmaking AT galwankarsagar artofsimmakingwhattolearnfromfilmmaking |