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Doing film geography

Film geography as a subdiscipline of cultural and media geography is a long-established field of research that since its emergence more than twenty years ago has diversified into a variety of perspectives. Nowadays, a critical perspective on film is central, which no longer considers the medium mere...

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Detalles Bibliográficos
Autores principales: Lukinbeal, Chris, Sommerlad, Elisabeth
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer Netherlands 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9045017/
https://www.ncbi.nlm.nih.gov/pubmed/35502421
http://dx.doi.org/10.1007/s10708-022-10651-2
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author Lukinbeal, Chris
Sommerlad, Elisabeth
author_facet Lukinbeal, Chris
Sommerlad, Elisabeth
author_sort Lukinbeal, Chris
collection PubMed
description Film geography as a subdiscipline of cultural and media geography is a long-established field of research that since its emergence more than twenty years ago has diversified into a variety of perspectives. Nowadays, a critical perspective on film is central, which no longer considers the medium merely as a text, but rather as a social practice—a perspective that continues to focus not solely on the meaning of representations, but on what representations do and how they do it. Following Roberts’ (in: Edensor, Kalandides, Kothari (eds) The Routledge handbook of place, Routledge, London, 2020) call for ‘doing film geography,’ this introductory article to the Geojournal Special Issue on Film Geography provides an overview of current trends in the field as well as an overview of the essays included in this collection. In addition to the established film-as-text perspective, we examine the burgeoning research in cinematic cartography, film industry geographies, and videography/documentaries.
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spelling pubmed-90450172022-04-28 Doing film geography Lukinbeal, Chris Sommerlad, Elisabeth GeoJournal Article Film geography as a subdiscipline of cultural and media geography is a long-established field of research that since its emergence more than twenty years ago has diversified into a variety of perspectives. Nowadays, a critical perspective on film is central, which no longer considers the medium merely as a text, but rather as a social practice—a perspective that continues to focus not solely on the meaning of representations, but on what representations do and how they do it. Following Roberts’ (in: Edensor, Kalandides, Kothari (eds) The Routledge handbook of place, Routledge, London, 2020) call for ‘doing film geography,’ this introductory article to the Geojournal Special Issue on Film Geography provides an overview of current trends in the field as well as an overview of the essays included in this collection. In addition to the established film-as-text perspective, we examine the burgeoning research in cinematic cartography, film industry geographies, and videography/documentaries. Springer Netherlands 2022-04-27 2022 /pmc/articles/PMC9045017/ /pubmed/35502421 http://dx.doi.org/10.1007/s10708-022-10651-2 Text en © The Author(s), under exclusive licence to Springer Nature B.V. 2022 This article is made available via the PMC Open Access Subset for unrestricted research re-use and secondary analysis in any form or by any means with acknowledgement of the original source. These permissions are granted for the duration of the World Health Organization (WHO) declaration of COVID-19 as a global pandemic.
spellingShingle Article
Lukinbeal, Chris
Sommerlad, Elisabeth
Doing film geography
title Doing film geography
title_full Doing film geography
title_fullStr Doing film geography
title_full_unstemmed Doing film geography
title_short Doing film geography
title_sort doing film geography
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9045017/
https://www.ncbi.nlm.nih.gov/pubmed/35502421
http://dx.doi.org/10.1007/s10708-022-10651-2
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