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Correlated expression of the body, face, and voice during character portrayal in actors
Actors are required to engage in multimodal modulations of their body, face, and voice in order to create a holistic portrayal of a character during performance. We present here the first trimodal analysis, to our knowledge, of the process of character portrayal in professional actors. The actors po...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2022
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9117657/ https://www.ncbi.nlm.nih.gov/pubmed/35585175 http://dx.doi.org/10.1038/s41598-022-12184-7 |
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author | Berry, Matthew Lewin, Sarah Brown, Steven |
author_facet | Berry, Matthew Lewin, Sarah Brown, Steven |
author_sort | Berry, Matthew |
collection | PubMed |
description | Actors are required to engage in multimodal modulations of their body, face, and voice in order to create a holistic portrayal of a character during performance. We present here the first trimodal analysis, to our knowledge, of the process of character portrayal in professional actors. The actors portrayed a series of stock characters (e.g., king, bully) that were organized according to a predictive scheme based on the two orthogonal personality dimensions of assertiveness and cooperativeness. We used 3D motion capture technology to analyze the relative expansion/contraction of 6 body segments across the head, torso, arms, and hands. We compared this with previous results for these portrayals for 4 segments of facial expression and the vocal parameters of pitch and loudness. The results demonstrated significant cross-modal correlations for character assertiveness (but not cooperativeness), as manifested collectively in a straightening of the head and torso, expansion of the arms and hands, lowering of the jaw, and a rise in vocal pitch and loudness. These results demonstrate what communication theorists refer to as “multichannel reinforcement”. We discuss this reinforcement in light of both acting theories and theories of human communication more generally. |
format | Online Article Text |
id | pubmed-9117657 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-91176572022-05-20 Correlated expression of the body, face, and voice during character portrayal in actors Berry, Matthew Lewin, Sarah Brown, Steven Sci Rep Article Actors are required to engage in multimodal modulations of their body, face, and voice in order to create a holistic portrayal of a character during performance. We present here the first trimodal analysis, to our knowledge, of the process of character portrayal in professional actors. The actors portrayed a series of stock characters (e.g., king, bully) that were organized according to a predictive scheme based on the two orthogonal personality dimensions of assertiveness and cooperativeness. We used 3D motion capture technology to analyze the relative expansion/contraction of 6 body segments across the head, torso, arms, and hands. We compared this with previous results for these portrayals for 4 segments of facial expression and the vocal parameters of pitch and loudness. The results demonstrated significant cross-modal correlations for character assertiveness (but not cooperativeness), as manifested collectively in a straightening of the head and torso, expansion of the arms and hands, lowering of the jaw, and a rise in vocal pitch and loudness. These results demonstrate what communication theorists refer to as “multichannel reinforcement”. We discuss this reinforcement in light of both acting theories and theories of human communication more generally. Nature Publishing Group UK 2022-05-18 /pmc/articles/PMC9117657/ /pubmed/35585175 http://dx.doi.org/10.1038/s41598-022-12184-7 Text en © The Author(s) 2022 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Berry, Matthew Lewin, Sarah Brown, Steven Correlated expression of the body, face, and voice during character portrayal in actors |
title | Correlated expression of the body, face, and voice during character portrayal in actors |
title_full | Correlated expression of the body, face, and voice during character portrayal in actors |
title_fullStr | Correlated expression of the body, face, and voice during character portrayal in actors |
title_full_unstemmed | Correlated expression of the body, face, and voice during character portrayal in actors |
title_short | Correlated expression of the body, face, and voice during character portrayal in actors |
title_sort | correlated expression of the body, face, and voice during character portrayal in actors |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9117657/ https://www.ncbi.nlm.nih.gov/pubmed/35585175 http://dx.doi.org/10.1038/s41598-022-12184-7 |
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