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EEG Connectivity during Active Emotional Musical Performance

The neural correlates of intentional emotion transfer by the music performer are not well investigated as the present-day research mainly focuses on the assessment of emotions evoked by music. In this study, we aim to determine whether EEG connectivity patterns can reflect differences in information...

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Autores principales: Ghodousi, Mahrad, Pousson, Jachin Edward, Voicikas, Aleksandras, Bernhofs, Valdis, Pipinis, Evaldas, Tarailis, Povilas, Burmistrova, Lana, Lin, Yuan-Pin, Griškova-Bulanova, Inga
Formato: Online Artículo Texto
Lenguaje:English
Publicado: MDPI 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9185252/
https://www.ncbi.nlm.nih.gov/pubmed/35684685
http://dx.doi.org/10.3390/s22114064
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author Ghodousi, Mahrad
Pousson, Jachin Edward
Voicikas, Aleksandras
Bernhofs, Valdis
Pipinis, Evaldas
Tarailis, Povilas
Burmistrova, Lana
Lin, Yuan-Pin
Griškova-Bulanova, Inga
author_facet Ghodousi, Mahrad
Pousson, Jachin Edward
Voicikas, Aleksandras
Bernhofs, Valdis
Pipinis, Evaldas
Tarailis, Povilas
Burmistrova, Lana
Lin, Yuan-Pin
Griškova-Bulanova, Inga
author_sort Ghodousi, Mahrad
collection PubMed
description The neural correlates of intentional emotion transfer by the music performer are not well investigated as the present-day research mainly focuses on the assessment of emotions evoked by music. In this study, we aim to determine whether EEG connectivity patterns can reflect differences in information exchange during emotional playing. The EEG data were recorded while subjects were performing a simple piano score with contrasting emotional intentions and evaluated the subjectively experienced success of emotion transfer. The brain connectivity patterns were assessed from the EEG data using the Granger Causality approach. The effective connectivity was analyzed in different frequency bands—delta, theta, alpha, beta, and gamma. The features that (1) were able to discriminate between the neutral baseline and the emotional playing and (2) were shared across conditions, were used for further comparison. The low frequency bands—delta, theta, alpha—showed a limited number of connections (4 to 6) contributing to the discrimination between the emotional playing conditions. In contrast, a dense pattern of connections between regions that was able to discriminate between conditions (30 to 38) was observed in beta and gamma frequency ranges. The current study demonstrates that EEG-based connectivity in beta and gamma frequency ranges can effectively reflect the state of the networks involved in the emotional transfer through musical performance, whereas utility of the low frequency bands (delta, theta, alpha) remains questionable.
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spelling pubmed-91852522022-06-11 EEG Connectivity during Active Emotional Musical Performance Ghodousi, Mahrad Pousson, Jachin Edward Voicikas, Aleksandras Bernhofs, Valdis Pipinis, Evaldas Tarailis, Povilas Burmistrova, Lana Lin, Yuan-Pin Griškova-Bulanova, Inga Sensors (Basel) Article The neural correlates of intentional emotion transfer by the music performer are not well investigated as the present-day research mainly focuses on the assessment of emotions evoked by music. In this study, we aim to determine whether EEG connectivity patterns can reflect differences in information exchange during emotional playing. The EEG data were recorded while subjects were performing a simple piano score with contrasting emotional intentions and evaluated the subjectively experienced success of emotion transfer. The brain connectivity patterns were assessed from the EEG data using the Granger Causality approach. The effective connectivity was analyzed in different frequency bands—delta, theta, alpha, beta, and gamma. The features that (1) were able to discriminate between the neutral baseline and the emotional playing and (2) were shared across conditions, were used for further comparison. The low frequency bands—delta, theta, alpha—showed a limited number of connections (4 to 6) contributing to the discrimination between the emotional playing conditions. In contrast, a dense pattern of connections between regions that was able to discriminate between conditions (30 to 38) was observed in beta and gamma frequency ranges. The current study demonstrates that EEG-based connectivity in beta and gamma frequency ranges can effectively reflect the state of the networks involved in the emotional transfer through musical performance, whereas utility of the low frequency bands (delta, theta, alpha) remains questionable. MDPI 2022-05-27 /pmc/articles/PMC9185252/ /pubmed/35684685 http://dx.doi.org/10.3390/s22114064 Text en © 2022 by the authors. https://creativecommons.org/licenses/by/4.0/Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).
spellingShingle Article
Ghodousi, Mahrad
Pousson, Jachin Edward
Voicikas, Aleksandras
Bernhofs, Valdis
Pipinis, Evaldas
Tarailis, Povilas
Burmistrova, Lana
Lin, Yuan-Pin
Griškova-Bulanova, Inga
EEG Connectivity during Active Emotional Musical Performance
title EEG Connectivity during Active Emotional Musical Performance
title_full EEG Connectivity during Active Emotional Musical Performance
title_fullStr EEG Connectivity during Active Emotional Musical Performance
title_full_unstemmed EEG Connectivity during Active Emotional Musical Performance
title_short EEG Connectivity during Active Emotional Musical Performance
title_sort eeg connectivity during active emotional musical performance
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9185252/
https://www.ncbi.nlm.nih.gov/pubmed/35684685
http://dx.doi.org/10.3390/s22114064
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