Cargando…
“Finding my Blackness, Finding my Rhythm”: Music and Identity Development in African, Caribbean, and Black Emerging Adults
This study examines how music functions in relation to identity development for African-, Caribbean- and Black-identified emerging adults who have immigrated to Canada. Eleven ACB-identified emerging adults, recruited from music schools, community, and student organizations took part in semi-structu...
Autores principales: | , , |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
SAGE Publications
2021
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9260469/ https://www.ncbi.nlm.nih.gov/pubmed/35812761 http://dx.doi.org/10.1177/21676968211014659 |
_version_ | 1784742037626552320 |
---|---|
author | Myrie, Rachelle C. Breen, Andrea V. Ashbourne, Lynda |
author_facet | Myrie, Rachelle C. Breen, Andrea V. Ashbourne, Lynda |
author_sort | Myrie, Rachelle C. |
collection | PubMed |
description | This study examines how music functions in relation to identity development for African-, Caribbean- and Black-identified emerging adults who have immigrated to Canada. Eleven ACB-identified emerging adults, recruited from music schools, community, and student organizations took part in semi-structured interviews adapted from McAdams’ Life Story Interview protocol to focus on music practices and memories. Thematic Analyses results suggest that transitioning to life in Canada necessitated learning new meanings of being and “becoming” Black. Participants described the influence of music on negotiating identity in a Canadian context. They described using music to resist racist and hegemonic narratives of Canadian Black identity, to connect to and celebrate their embodied Black identities, and establish self-continuity and coherence across histories and generations to connect with spiritual memories, land, and ancestors. We conclude by suggesting implications of this work for practice and developing research methodologies that resist whiteness. |
format | Online Article Text |
id | pubmed-9260469 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | SAGE Publications |
record_format | MEDLINE/PubMed |
spelling | pubmed-92604692022-07-08 “Finding my Blackness, Finding my Rhythm”: Music and Identity Development in African, Caribbean, and Black Emerging Adults Myrie, Rachelle C. Breen, Andrea V. Ashbourne, Lynda Emerg Adulthood Race/Ethnicity, Culture, and Related Issues This study examines how music functions in relation to identity development for African-, Caribbean- and Black-identified emerging adults who have immigrated to Canada. Eleven ACB-identified emerging adults, recruited from music schools, community, and student organizations took part in semi-structured interviews adapted from McAdams’ Life Story Interview protocol to focus on music practices and memories. Thematic Analyses results suggest that transitioning to life in Canada necessitated learning new meanings of being and “becoming” Black. Participants described the influence of music on negotiating identity in a Canadian context. They described using music to resist racist and hegemonic narratives of Canadian Black identity, to connect to and celebrate their embodied Black identities, and establish self-continuity and coherence across histories and generations to connect with spiritual memories, land, and ancestors. We conclude by suggesting implications of this work for practice and developing research methodologies that resist whiteness. SAGE Publications 2021-06-16 2022-08 /pmc/articles/PMC9260469/ /pubmed/35812761 http://dx.doi.org/10.1177/21676968211014659 Text en © 2021 Society for the Study of Emerging Adulthood and SAGE Publishing https://creativecommons.org/licenses/by-nc/4.0/This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage). |
spellingShingle | Race/Ethnicity, Culture, and Related Issues Myrie, Rachelle C. Breen, Andrea V. Ashbourne, Lynda “Finding my Blackness, Finding my Rhythm”: Music and Identity Development in African, Caribbean, and Black Emerging Adults |
title | “Finding my Blackness, Finding my Rhythm”: Music and Identity Development in
African, Caribbean, and Black Emerging Adults |
title_full | “Finding my Blackness, Finding my Rhythm”: Music and Identity Development in
African, Caribbean, and Black Emerging Adults |
title_fullStr | “Finding my Blackness, Finding my Rhythm”: Music and Identity Development in
African, Caribbean, and Black Emerging Adults |
title_full_unstemmed | “Finding my Blackness, Finding my Rhythm”: Music and Identity Development in
African, Caribbean, and Black Emerging Adults |
title_short | “Finding my Blackness, Finding my Rhythm”: Music and Identity Development in
African, Caribbean, and Black Emerging Adults |
title_sort | “finding my blackness, finding my rhythm”: music and identity development in
african, caribbean, and black emerging adults |
topic | Race/Ethnicity, Culture, and Related Issues |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9260469/ https://www.ncbi.nlm.nih.gov/pubmed/35812761 http://dx.doi.org/10.1177/21676968211014659 |
work_keys_str_mv | AT myrierachellec findingmyblacknessfindingmyrhythmmusicandidentitydevelopmentinafricancaribbeanandblackemergingadults AT breenandreav findingmyblacknessfindingmyrhythmmusicandidentitydevelopmentinafricancaribbeanandblackemergingadults AT ashbournelynda findingmyblacknessfindingmyrhythmmusicandidentitydevelopmentinafricancaribbeanandblackemergingadults |