RESEARCH ON YANGQIN PERFORMANCE OF HUNAN OPERA BASED ON THE COMBINATION OF HUTONG CULTURAL DEVELOPMENT AND STREET ART — FROM THE PERSPECTIVE OF EMOTION REGULATION

BACKGROUND: Urban street culture is the expression of people's psychological thoughts and emotions. This subversive street art is the representative of the historical evolution of the city and can arouse the historical memory of the city in different periods. Street performance art, also known as street art or street performance, is a kind of street performance art. This kind of artistic performance can be improvisation or the daily activities of the performer. At present, most of the public are in the stage of curiosity, and indifference to street art is quite common. Due to the uneven performance level of artists and poor performance hardware conditions, many citizens expressed concern about whether street art can be called artistic expression. High quality culture is an important basis for shaping urban characteristics. After urbanization, from the illusory glory of the Gilded Age to the hutongs in Beijing and Shanghai, and even the military villages unique to Taiwan for decades, they have also formed their own unique “culture”. The scope of alley culture should be small and the content should be insignificant. It often leaves many painful or sweet memories to a group of local people. From the perspective of emotion regulation, this study studies the regulation effect of Hunan opera Yangqin performance on emotion combined with the development of Hutong Culture and street art. RESEARCH OBJECTS AND METHODS: The theme and method are mainly to improve the artistic and cultural activities in the lane, activate the expression of artistic and cultural characteristics, and explore the artistic packaging and marketing of the cultural Lane from a static perspective in the face of the development of street art and culture through the protection and inheritance of culture. Horizontally, from the development perspective of “exogenous level”, inject street art exhibition, enhance the artistic and cultural vitality of the city, take the classification of exhibition planning as the goal, and promote the internationalization of urban alley culture and art marketing on the basis of creating a behavioral art image integrating China and the West. In order to better the characteristics of cultural psychology, 36 subjects (half male and half female) participated in this study. The experimental design, screening method, dependent variable index and experimental method are the same as above. Examples of receiving instructions are as follows: the red circle will prompt, and then there will be negative emotional stimulation. Even if it makes me feel unhappy, it is normal. I should fully accept the unpleasant feeling and let my feeling flow naturally without controlling it. The guidelines for avoidance are as follows: the red circle will prompt, and then there will be negative emotional stimulation. Although I don't know what the specific content is, I should try my best to avoid this stimulation and avoid this negative emotional feeling. RESULT: Traditional culture is not conservative, nor is it the burden of innovation and the stumbling block of reform. It is the accumulation of predecessors' wisdom and experience. After the precipitation of time, it has become a symbol of life. Through the discussion of resident identity, it is the memory created by a group of people living together. After several generations of inheritance, it has become a representative “cultural symbol” of the city. Therefore, street artists from European and American countries are widely invited to participate in the characteristic cultural cooperation with street alleys. Combine the performances of local traditional societies such as Hunan opera, brocade song and puppet show, integrate into the performing arts societies with school characteristics, and arrange installation art and plastic art exhibitions. Finally, at the closing ceremony, the residents created the cultural symbol of “integration of China and the west” with the enthusiasm of “Long Street banquet”. Zhangzhou ancient city art festival carries out international marketing. CONCLUSION: Reexamine the Centennial cultural sites, introduce the cultural traditions of Chinese provinces and regions, realize the “rejuvenation” of connecting life and taking root in the earth, absorb the profound accumulation of multiculturalism, restart, brew and carry forward, and make Xinglong culture an enviable and real hometown of cultural life, which depends on the leadership of relevant government departments. I think the Chinese people have drawn up a blueprint for the next Centennial plan. The promotion of this art is conducive to regulating people's body and mind. On the one hand, human beings have a natural close relationship with nature. ACKNOWLEDGMENT: This article is the 2019 general project of Fujian Taiwan Gezai Opera (Hunan Opera) of Fujian Social Science Planning Project Art Fund. Phased achievements of Yangqin development and Research (Project No.: fj2019b029).