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La fantasma de Valencia y las comedias de Fiestas del jardín de Alonso de Castillo Solórzano: hipótesis de datación y circunstancias de representación

Alonso de Castillo Solórzano, prolific cultivator of the novelistic genre, gathered and published his work in miscellaneous volumes or colectáneas all along the XVII century. In these volumes, mainly formed by novels assembled in a narrative framework, dramatic pieces appear from time to time. This...

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Detalles Bibliográficos
Autores principales: Monzó Ribes, Clara, Blanco Campos, Félix
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer Netherlands 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9336516/
https://www.ncbi.nlm.nih.gov/pubmed/35915836
http://dx.doi.org/10.1007/s11061-021-09718-1
Descripción
Sumario:Alonso de Castillo Solórzano, prolific cultivator of the novelistic genre, gathered and published his work in miscellaneous volumes or colectáneas all along the XVII century. In these volumes, mainly formed by novels assembled in a narrative framework, dramatic pieces appear from time to time. This is the case of Fiestas del Jardín (1634), which alternates four plays written in prose and three comedies. We know about the last ones that they were brought to the stage by renowned authors of the time. However, the date of their composition remains unknown as well as the circumstances in which they were staged. It is our goal to shed light on these questions following the study of La fantasma de Valencia, one of the three aforementioned comedies.