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Transition between individually different and common features in skilled drumming movements
Why do professional athletes and musicians exhibit individually different motion patterns? For example, baseball pitchers generate various pitching forms, e.g., variable wind-up, cocking, and follow-through forms. However, they commonly rotate their wrists and fingers at increasingly high speeds via...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2022
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9361045/ https://www.ncbi.nlm.nih.gov/pubmed/35958667 http://dx.doi.org/10.3389/fspor.2022.923180 |
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author | Takiyama, Ken Hirashima, Masaya Fujii, Shinya |
author_facet | Takiyama, Ken Hirashima, Masaya Fujii, Shinya |
author_sort | Takiyama, Ken |
collection | PubMed |
description | Why do professional athletes and musicians exhibit individually different motion patterns? For example, baseball pitchers generate various pitching forms, e.g., variable wind-up, cocking, and follow-through forms. However, they commonly rotate their wrists and fingers at increasingly high speeds via shoulder and trunk motions. Despite the universality of common and individually different motion patterns in skilled movements, the abovementioned question remains unanswered. Here, we focus on a motion required to hit a snare drum, including the indirect phase of task achievement (i.e., the early movement and mid-flight phases) and the direct phase of task achievement (i.e., the hit phase). We apply tensor decomposition to collected kinematic data for the drum-hitting motion, enabling us to decompose high-dimensional and time-varying motion data into individually different and common movement patterns. As a result, individually different motion patterns emerge during the indirect phase of task achievement, and common motion patterns are evident in the direct phase of task achievement. Athletes and musicians are thus possibly allowed to perform individually different motion patterns during the indirect phase of task achievement. Additionally, they are required to exhibit common patterns during the direct phase of task achievement. |
format | Online Article Text |
id | pubmed-9361045 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-93610452022-08-10 Transition between individually different and common features in skilled drumming movements Takiyama, Ken Hirashima, Masaya Fujii, Shinya Front Sports Act Living Sports and Active Living Why do professional athletes and musicians exhibit individually different motion patterns? For example, baseball pitchers generate various pitching forms, e.g., variable wind-up, cocking, and follow-through forms. However, they commonly rotate their wrists and fingers at increasingly high speeds via shoulder and trunk motions. Despite the universality of common and individually different motion patterns in skilled movements, the abovementioned question remains unanswered. Here, we focus on a motion required to hit a snare drum, including the indirect phase of task achievement (i.e., the early movement and mid-flight phases) and the direct phase of task achievement (i.e., the hit phase). We apply tensor decomposition to collected kinematic data for the drum-hitting motion, enabling us to decompose high-dimensional and time-varying motion data into individually different and common movement patterns. As a result, individually different motion patterns emerge during the indirect phase of task achievement, and common motion patterns are evident in the direct phase of task achievement. Athletes and musicians are thus possibly allowed to perform individually different motion patterns during the indirect phase of task achievement. Additionally, they are required to exhibit common patterns during the direct phase of task achievement. Frontiers Media S.A. 2022-07-26 /pmc/articles/PMC9361045/ /pubmed/35958667 http://dx.doi.org/10.3389/fspor.2022.923180 Text en Copyright © 2022 Takiyama, Hirashima and Fujii. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Sports and Active Living Takiyama, Ken Hirashima, Masaya Fujii, Shinya Transition between individually different and common features in skilled drumming movements |
title | Transition between individually different and common features in skilled drumming movements |
title_full | Transition between individually different and common features in skilled drumming movements |
title_fullStr | Transition between individually different and common features in skilled drumming movements |
title_full_unstemmed | Transition between individually different and common features in skilled drumming movements |
title_short | Transition between individually different and common features in skilled drumming movements |
title_sort | transition between individually different and common features in skilled drumming movements |
topic | Sports and Active Living |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9361045/ https://www.ncbi.nlm.nih.gov/pubmed/35958667 http://dx.doi.org/10.3389/fspor.2022.923180 |
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