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Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey

(1) Background: Throughout their career, music therapists make decisions regarding the clinical population they choose to work with. Though such decisions can have broad implications on the professional development of the music therapist, not much is known about the reasons for making these decision...

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Autores principales: Gilboa, Avi, Wiess, Chava, Dassa, Ayelet, Brotons, Melissa-Mercadal, Frank-Bleckwedel, Eva, Kaczynski, Elisabeth, Kantor, Jiri, Roelcke, Beate, Sabbatella, Patricia
Formato: Online Artículo Texto
Lenguaje:English
Publicado: MDPI 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9368555/
https://www.ncbi.nlm.nih.gov/pubmed/35954817
http://dx.doi.org/10.3390/ijerph19159463
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author Gilboa, Avi
Wiess, Chava
Dassa, Ayelet
Brotons, Melissa-Mercadal
Frank-Bleckwedel, Eva
Kaczynski, Elisabeth
Kantor, Jiri
Roelcke, Beate
Sabbatella, Patricia
author_facet Gilboa, Avi
Wiess, Chava
Dassa, Ayelet
Brotons, Melissa-Mercadal
Frank-Bleckwedel, Eva
Kaczynski, Elisabeth
Kantor, Jiri
Roelcke, Beate
Sabbatella, Patricia
author_sort Gilboa, Avi
collection PubMed
description (1) Background: Throughout their career, music therapists make decisions regarding the clinical population they choose to work with. Though such decisions can have broad implications on the professional development of the music therapist, not much is known about the reasons for making these decisions and whether they are affected by demographic or professional factors. (2) Methods: In this pilot study, we surveyed 439 music therapists from six countries (i.e., Austria, the Czech Republic, Germany, Israel, Spain, and Switzerland) using an online questionnaire. We asked the respondents to explain why they chose to work with their main clienteles, and we examined whether their reasons were connected to demographic factors such as country of origin, gender, and seniority, and professional factors such as experience as a music therapist and population one works with. (3) Results: The category analysis of these responses pointed at nine distinct reasons that could be grouped into “practical reasons”, “reasons of connection”, and “innovation”. There were differences in reasoning between music therapists from different countries, and with different degrees of seniority, but not between male and female music therapists. (4) Discussion: The implications on training programs and on policy makers are discussed as well as the importance of this subject to the development of music therapists’ professional identity.
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spelling pubmed-93685552022-08-12 Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey Gilboa, Avi Wiess, Chava Dassa, Ayelet Brotons, Melissa-Mercadal Frank-Bleckwedel, Eva Kaczynski, Elisabeth Kantor, Jiri Roelcke, Beate Sabbatella, Patricia Int J Environ Res Public Health Article (1) Background: Throughout their career, music therapists make decisions regarding the clinical population they choose to work with. Though such decisions can have broad implications on the professional development of the music therapist, not much is known about the reasons for making these decisions and whether they are affected by demographic or professional factors. (2) Methods: In this pilot study, we surveyed 439 music therapists from six countries (i.e., Austria, the Czech Republic, Germany, Israel, Spain, and Switzerland) using an online questionnaire. We asked the respondents to explain why they chose to work with their main clienteles, and we examined whether their reasons were connected to demographic factors such as country of origin, gender, and seniority, and professional factors such as experience as a music therapist and population one works with. (3) Results: The category analysis of these responses pointed at nine distinct reasons that could be grouped into “practical reasons”, “reasons of connection”, and “innovation”. There were differences in reasoning between music therapists from different countries, and with different degrees of seniority, but not between male and female music therapists. (4) Discussion: The implications on training programs and on policy makers are discussed as well as the importance of this subject to the development of music therapists’ professional identity. MDPI 2022-08-02 /pmc/articles/PMC9368555/ /pubmed/35954817 http://dx.doi.org/10.3390/ijerph19159463 Text en © 2022 by the authors. https://creativecommons.org/licenses/by/4.0/Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).
spellingShingle Article
Gilboa, Avi
Wiess, Chava
Dassa, Ayelet
Brotons, Melissa-Mercadal
Frank-Bleckwedel, Eva
Kaczynski, Elisabeth
Kantor, Jiri
Roelcke, Beate
Sabbatella, Patricia
Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey
title Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey
title_full Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey
title_fullStr Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey
title_full_unstemmed Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey
title_short Why Music Therapists Choose to Work with a Clinical Population: An International Pilot Survey
title_sort why music therapists choose to work with a clinical population: an international pilot survey
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9368555/
https://www.ncbi.nlm.nih.gov/pubmed/35954817
http://dx.doi.org/10.3390/ijerph19159463
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