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Borges and the art of forgetting

INTRODUCTION: In 2005 Elizabeth Parker and fellow researchers described the first case of Hyperthymestic Syndrome, a woman going by initials AJ. Thereafter, a handful more of such cases have emerged. Older descriptions of extraordinary memory in medical literature mainly considered semantic and work...

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Autores principales: Ohri, N., Gill, A., Saini, M.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Cambridge University Press 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9479945/
http://dx.doi.org/10.1192/j.eurpsy.2021.1995
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author Ohri, N.
Gill, A.
Saini, M.
author_facet Ohri, N.
Gill, A.
Saini, M.
author_sort Ohri, N.
collection PubMed
description INTRODUCTION: In 2005 Elizabeth Parker and fellow researchers described the first case of Hyperthymestic Syndrome, a woman going by initials AJ. Thereafter, a handful more of such cases have emerged. Older descriptions of extraordinary memory in medical literature mainly considered semantic and working memories. Jorge Luis Borges in his 1930s short story ‘Funes, his Memory’ writes about his, presumably fictitious, encounter with a man named Ireno Funes who possessed an extraordinary memory and a knack for keeping track of briefest of passing moment. Among many qualities that Funes and AJ share are their extraordinary memories, obsession for keeping track of time, and their problems with abstraction. After describing his extraordinary memory, Borges says of Funes, ‘I suspect nevertheless, that he was not very good at thinking. To think is to ignore (or forget) differences, to generalize, to abstract.’ Similarly, AJ has been described to have impaired abstraction, hypothesis formation and conceptual shifting. Moreover, both Funes and AJ see their capability as a burden rather than a gift. “My memory, sir, is like a garbage heap.” Says Funes. OBJECTIVES: A brief exploration of Jorge Luis Borges’ works in the context of autobiographical memory. METHODS: The comparisons between Borges’ description of his character’s autobiographical memory and findings of modern research techniques will be done qualitatively. RESULTS: Effort is made to undersatnd Borges philosophy in context of mordern memory research. CONCLUSIONS: An in depth look into Borges’ philosohies linking perception of time, coding of memory, abstration and language can inform further line of research regarding autobiographical memory. DISCLOSURE: No significant relationships.
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spelling pubmed-94799452022-09-29 Borges and the art of forgetting Ohri, N. Gill, A. Saini, M. Eur Psychiatry Abstract INTRODUCTION: In 2005 Elizabeth Parker and fellow researchers described the first case of Hyperthymestic Syndrome, a woman going by initials AJ. Thereafter, a handful more of such cases have emerged. Older descriptions of extraordinary memory in medical literature mainly considered semantic and working memories. Jorge Luis Borges in his 1930s short story ‘Funes, his Memory’ writes about his, presumably fictitious, encounter with a man named Ireno Funes who possessed an extraordinary memory and a knack for keeping track of briefest of passing moment. Among many qualities that Funes and AJ share are their extraordinary memories, obsession for keeping track of time, and their problems with abstraction. After describing his extraordinary memory, Borges says of Funes, ‘I suspect nevertheless, that he was not very good at thinking. To think is to ignore (or forget) differences, to generalize, to abstract.’ Similarly, AJ has been described to have impaired abstraction, hypothesis formation and conceptual shifting. Moreover, both Funes and AJ see their capability as a burden rather than a gift. “My memory, sir, is like a garbage heap.” Says Funes. OBJECTIVES: A brief exploration of Jorge Luis Borges’ works in the context of autobiographical memory. METHODS: The comparisons between Borges’ description of his character’s autobiographical memory and findings of modern research techniques will be done qualitatively. RESULTS: Effort is made to undersatnd Borges philosophy in context of mordern memory research. CONCLUSIONS: An in depth look into Borges’ philosohies linking perception of time, coding of memory, abstration and language can inform further line of research regarding autobiographical memory. DISCLOSURE: No significant relationships. Cambridge University Press 2021-08-13 /pmc/articles/PMC9479945/ http://dx.doi.org/10.1192/j.eurpsy.2021.1995 Text en © The Author(s) 2021 https://creativecommons.org/licenses/by/4.0/This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
spellingShingle Abstract
Ohri, N.
Gill, A.
Saini, M.
Borges and the art of forgetting
title Borges and the art of forgetting
title_full Borges and the art of forgetting
title_fullStr Borges and the art of forgetting
title_full_unstemmed Borges and the art of forgetting
title_short Borges and the art of forgetting
title_sort borges and the art of forgetting
topic Abstract
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9479945/
http://dx.doi.org/10.1192/j.eurpsy.2021.1995
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