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Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji
Compositionality is a primary feature of language, but graphics can also create combinatorial meaning, like with items above faces (e.g., lightbulbs to mean inspiration). We posit that these “upfixes” (i.e., upwards affixes) involve a productive schema enabling both stored and novel face–upfix dyads...
Autores principales: | , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Springer US
2022
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9508049/ https://www.ncbi.nlm.nih.gov/pubmed/35235175 http://dx.doi.org/10.3758/s13421-022-01294-2 |
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author | Cohn, Neil Foulsham, Tom |
author_facet | Cohn, Neil Foulsham, Tom |
author_sort | Cohn, Neil |
collection | PubMed |
description | Compositionality is a primary feature of language, but graphics can also create combinatorial meaning, like with items above faces (e.g., lightbulbs to mean inspiration). We posit that these “upfixes” (i.e., upwards affixes) involve a productive schema enabling both stored and novel face–upfix dyads. In two experiments, participants viewed either conventional (e.g., lightbulb) or unconventional (e.g., clover-leaves) upfixes with faces which either matched (e.g., lightbulb/smile) or mismatched (e.g., lightbulb/frown). In Experiment 1, matching dyads sponsored higher comprehensibility ratings and faster response times, modulated by conventionality. In Experiment 2, event-related brain potentials (ERPs) revealed conventional upfixes, regardless of matching, evoked larger N250s, indicating perceptual expertise, but mismatching and unconventional dyads elicited larger semantic processing costs (N400) than conventional-matching dyads. Yet mismatches evoked a late negativity, suggesting congruent novel dyads remained construable compared with violations. These results support that combinatorial graphics involve a constrained productive schema, similar to the lexicon of language. |
format | Online Article Text |
id | pubmed-9508049 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Springer US |
record_format | MEDLINE/PubMed |
spelling | pubmed-95080492022-09-25 Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji Cohn, Neil Foulsham, Tom Mem Cognit Article Compositionality is a primary feature of language, but graphics can also create combinatorial meaning, like with items above faces (e.g., lightbulbs to mean inspiration). We posit that these “upfixes” (i.e., upwards affixes) involve a productive schema enabling both stored and novel face–upfix dyads. In two experiments, participants viewed either conventional (e.g., lightbulb) or unconventional (e.g., clover-leaves) upfixes with faces which either matched (e.g., lightbulb/smile) or mismatched (e.g., lightbulb/frown). In Experiment 1, matching dyads sponsored higher comprehensibility ratings and faster response times, modulated by conventionality. In Experiment 2, event-related brain potentials (ERPs) revealed conventional upfixes, regardless of matching, evoked larger N250s, indicating perceptual expertise, but mismatching and unconventional dyads elicited larger semantic processing costs (N400) than conventional-matching dyads. Yet mismatches evoked a late negativity, suggesting congruent novel dyads remained construable compared with violations. These results support that combinatorial graphics involve a constrained productive schema, similar to the lexicon of language. Springer US 2022-03-02 2022 /pmc/articles/PMC9508049/ /pubmed/35235175 http://dx.doi.org/10.3758/s13421-022-01294-2 Text en © The Author(s) 2022 https://creativecommons.org/licenses/by/4.0/Open AccessThis article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Cohn, Neil Foulsham, Tom Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji |
title | Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji |
title_full | Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji |
title_fullStr | Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji |
title_full_unstemmed | Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji |
title_short | Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji |
title_sort | meaning above (and in) the head: combinatorial visual morphology from comics and emoji |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9508049/ https://www.ncbi.nlm.nih.gov/pubmed/35235175 http://dx.doi.org/10.3758/s13421-022-01294-2 |
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