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New objective timbre parameters for classification of voice type and fach in professional opera singers

Voice timbre is defined as sound color independent of pitch and volume, based on a broad frequency band between 2 and 4 kHz. Since there are no specific timbre parameters, previous studies have come to the very general conclusion that the center frequencies of the singer’s formants are somewhat high...

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Autores principales: Müller, Matthias, Wang, Zehui, Caffier, Felix, Caffier, Philipp P.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9605961/
https://www.ncbi.nlm.nih.gov/pubmed/36289365
http://dx.doi.org/10.1038/s41598-022-22821-w
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author Müller, Matthias
Wang, Zehui
Caffier, Felix
Caffier, Philipp P.
author_facet Müller, Matthias
Wang, Zehui
Caffier, Felix
Caffier, Philipp P.
author_sort Müller, Matthias
collection PubMed
description Voice timbre is defined as sound color independent of pitch and volume, based on a broad frequency band between 2 and 4 kHz. Since there are no specific timbre parameters, previous studies have come to the very general conclusion that the center frequencies of the singer’s formants are somewhat higher in the higher voice types than in the lower ones. For specification, a database was created containing 1723 sound examples of various voice types. The energy distribution in the frequency bands of the singer’s formants was extracted for quantitative analysis. When the energy distribution function reached 50%, the corresponding absolute frequency in Hz was defined as Frequency of Half Energy (FHE). This new parameter quantifies the timbre of a singing voice as a concrete measure, independent of fundamental frequency, vowel color and volume. The database allows assigning FHE means ± SD as characteristic or comparative values for sopranos (3092 ± 284 Hz), tenors (2705 ± 221 Hz), baritones (2454 ± 206 Hz) and basses (2384 ± 164 Hz). In addition to vibrato, specific timbre parameters provide another valuable feature in vocal pedagogy for classification of voice type and fach according to the lyric or dramatic character of the voice.
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spelling pubmed-96059612022-10-28 New objective timbre parameters for classification of voice type and fach in professional opera singers Müller, Matthias Wang, Zehui Caffier, Felix Caffier, Philipp P. Sci Rep Article Voice timbre is defined as sound color independent of pitch and volume, based on a broad frequency band between 2 and 4 kHz. Since there are no specific timbre parameters, previous studies have come to the very general conclusion that the center frequencies of the singer’s formants are somewhat higher in the higher voice types than in the lower ones. For specification, a database was created containing 1723 sound examples of various voice types. The energy distribution in the frequency bands of the singer’s formants was extracted for quantitative analysis. When the energy distribution function reached 50%, the corresponding absolute frequency in Hz was defined as Frequency of Half Energy (FHE). This new parameter quantifies the timbre of a singing voice as a concrete measure, independent of fundamental frequency, vowel color and volume. The database allows assigning FHE means ± SD as characteristic or comparative values for sopranos (3092 ± 284 Hz), tenors (2705 ± 221 Hz), baritones (2454 ± 206 Hz) and basses (2384 ± 164 Hz). In addition to vibrato, specific timbre parameters provide another valuable feature in vocal pedagogy for classification of voice type and fach according to the lyric or dramatic character of the voice. Nature Publishing Group UK 2022-10-26 /pmc/articles/PMC9605961/ /pubmed/36289365 http://dx.doi.org/10.1038/s41598-022-22821-w Text en © The Author(s) 2022 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) .
spellingShingle Article
Müller, Matthias
Wang, Zehui
Caffier, Felix
Caffier, Philipp P.
New objective timbre parameters for classification of voice type and fach in professional opera singers
title New objective timbre parameters for classification of voice type and fach in professional opera singers
title_full New objective timbre parameters for classification of voice type and fach in professional opera singers
title_fullStr New objective timbre parameters for classification of voice type and fach in professional opera singers
title_full_unstemmed New objective timbre parameters for classification of voice type and fach in professional opera singers
title_short New objective timbre parameters for classification of voice type and fach in professional opera singers
title_sort new objective timbre parameters for classification of voice type and fach in professional opera singers
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9605961/
https://www.ncbi.nlm.nih.gov/pubmed/36289365
http://dx.doi.org/10.1038/s41598-022-22821-w
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