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To and Fro Between Eros and Thanatos: What Where and the Death Drive
This paper tries to read What Where as Beckett’s realistic and pessimistic presentation of the ontological conditions of the human history, which the play defines as investigation, exploitation and quest for the ultimate truth. Its analysis finds that this presentation has important threads in commo...
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Springer Netherlands
2022
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9630801/ https://www.ncbi.nlm.nih.gov/pubmed/36345466 http://dx.doi.org/10.1007/s11061-022-09744-7 |
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author | Lee, Jooyeup |
author_facet | Lee, Jooyeup |
author_sort | Lee, Jooyeup |
collection | PubMed |
description | This paper tries to read What Where as Beckett’s realistic and pessimistic presentation of the ontological conditions of the human history, which the play defines as investigation, exploitation and quest for the ultimate truth. Its analysis finds that this presentation has important threads in common with the criticism of civilization in the later Freud’s metapsychology, which formulated “an all-embracing, grand theory of the psyche” in terms of the development of the individual as well as the evolution of the entire species on the basis of the maxim that “ontogeny recapitulates phylogeny” What Where enacts this Freudian vision in theatrical terms as its theater version foregrounds the phylogenetic scale with the physical subjections happening among the characters and its television version the interior depth of the mind with the maneuvering of the television images. Another important commonality is that the character Bam is presented as a figure pertaining to Freud’s concept of the death drive. The resulting theatrical picture is a sobering and realistic testimony to the individual and collective human existence that has always survived on questionings about, exploitation of and quest for a different object. This strikes a chord with how Beckett’s characters embody his poetics of ‘senility,’ and leads to the political implications of freedom without hope or meaning, which is the infinite task of Beckett’s senile characters. |
format | Online Article Text |
id | pubmed-9630801 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Springer Netherlands |
record_format | MEDLINE/PubMed |
spelling | pubmed-96308012022-11-03 To and Fro Between Eros and Thanatos: What Where and the Death Drive Lee, Jooyeup Neophilologus Article This paper tries to read What Where as Beckett’s realistic and pessimistic presentation of the ontological conditions of the human history, which the play defines as investigation, exploitation and quest for the ultimate truth. Its analysis finds that this presentation has important threads in common with the criticism of civilization in the later Freud’s metapsychology, which formulated “an all-embracing, grand theory of the psyche” in terms of the development of the individual as well as the evolution of the entire species on the basis of the maxim that “ontogeny recapitulates phylogeny” What Where enacts this Freudian vision in theatrical terms as its theater version foregrounds the phylogenetic scale with the physical subjections happening among the characters and its television version the interior depth of the mind with the maneuvering of the television images. Another important commonality is that the character Bam is presented as a figure pertaining to Freud’s concept of the death drive. The resulting theatrical picture is a sobering and realistic testimony to the individual and collective human existence that has always survived on questionings about, exploitation of and quest for a different object. This strikes a chord with how Beckett’s characters embody his poetics of ‘senility,’ and leads to the political implications of freedom without hope or meaning, which is the infinite task of Beckett’s senile characters. Springer Netherlands 2022-11-03 2023 /pmc/articles/PMC9630801/ /pubmed/36345466 http://dx.doi.org/10.1007/s11061-022-09744-7 Text en © The Author(s), under exclusive licence to Springer Nature B.V. 2022, Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. This article is made available via the PMC Open Access Subset for unrestricted research re-use and secondary analysis in any form or by any means with acknowledgement of the original source. These permissions are granted for the duration of the World Health Organization (WHO) declaration of COVID-19 as a global pandemic. |
spellingShingle | Article Lee, Jooyeup To and Fro Between Eros and Thanatos: What Where and the Death Drive |
title | To and Fro Between Eros and Thanatos: What Where and the Death Drive |
title_full | To and Fro Between Eros and Thanatos: What Where and the Death Drive |
title_fullStr | To and Fro Between Eros and Thanatos: What Where and the Death Drive |
title_full_unstemmed | To and Fro Between Eros and Thanatos: What Where and the Death Drive |
title_short | To and Fro Between Eros and Thanatos: What Where and the Death Drive |
title_sort | to and fro between eros and thanatos: what where and the death drive |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9630801/ https://www.ncbi.nlm.nih.gov/pubmed/36345466 http://dx.doi.org/10.1007/s11061-022-09744-7 |
work_keys_str_mv | AT leejooyeup toandfrobetweenerosandthanatoswhatwhereandthedeathdrive |