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Movie editing influences spectators’ time perception
Filmmakers use different techniques (e.g., camera movements, editing) to shape viewers' experience. In particular, editing can be used to handle the temporal unfolding of events represented in a movie. Nevertheless, little is known about how different editing types impact viewers’ time percepti...
Autores principales: | , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2022
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9684412/ https://www.ncbi.nlm.nih.gov/pubmed/36418366 http://dx.doi.org/10.1038/s41598-022-23992-2 |
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author | Kovarski, Klara Dos Reis, Joanna Chevais, Claire Hamel, Anaïs Makowski, Dominique Sperduti, Marco |
author_facet | Kovarski, Klara Dos Reis, Joanna Chevais, Claire Hamel, Anaïs Makowski, Dominique Sperduti, Marco |
author_sort | Kovarski, Klara |
collection | PubMed |
description | Filmmakers use different techniques (e.g., camera movements, editing) to shape viewers' experience. In particular, editing can be used to handle the temporal unfolding of events represented in a movie. Nevertheless, little is known about how different editing types impact viewers’ time perception. In an exploratory on-line study (90 participants) and a pre-registered conceptual replication study (60 participants), we asked participants to judge (Study 1) or reproduce (Study 2) the duration of 45 excerpts of the movie “Le Ballon Rouge” containing either continuous editing, action discontinuity editing or no editing. Each excerpt was formatted in three durations (2000, 2500 or 3000 ms). In both studies, we reported that scenes containing continuous editing were perceived as longer than the other two scene types. Moreover, scenes containing action discontinuity editing were perceived as longer than scenes with no editing. This study contributes to the emerging field of psycho-cinematics which could ultimately develop the dialog between arts and science. |
format | Online Article Text |
id | pubmed-9684412 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-96844122022-11-25 Movie editing influences spectators’ time perception Kovarski, Klara Dos Reis, Joanna Chevais, Claire Hamel, Anaïs Makowski, Dominique Sperduti, Marco Sci Rep Article Filmmakers use different techniques (e.g., camera movements, editing) to shape viewers' experience. In particular, editing can be used to handle the temporal unfolding of events represented in a movie. Nevertheless, little is known about how different editing types impact viewers’ time perception. In an exploratory on-line study (90 participants) and a pre-registered conceptual replication study (60 participants), we asked participants to judge (Study 1) or reproduce (Study 2) the duration of 45 excerpts of the movie “Le Ballon Rouge” containing either continuous editing, action discontinuity editing or no editing. Each excerpt was formatted in three durations (2000, 2500 or 3000 ms). In both studies, we reported that scenes containing continuous editing were perceived as longer than the other two scene types. Moreover, scenes containing action discontinuity editing were perceived as longer than scenes with no editing. This study contributes to the emerging field of psycho-cinematics which could ultimately develop the dialog between arts and science. Nature Publishing Group UK 2022-11-22 /pmc/articles/PMC9684412/ /pubmed/36418366 http://dx.doi.org/10.1038/s41598-022-23992-2 Text en © The Author(s) 2022 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Kovarski, Klara Dos Reis, Joanna Chevais, Claire Hamel, Anaïs Makowski, Dominique Sperduti, Marco Movie editing influences spectators’ time perception |
title | Movie editing influences spectators’ time perception |
title_full | Movie editing influences spectators’ time perception |
title_fullStr | Movie editing influences spectators’ time perception |
title_full_unstemmed | Movie editing influences spectators’ time perception |
title_short | Movie editing influences spectators’ time perception |
title_sort | movie editing influences spectators’ time perception |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9684412/ https://www.ncbi.nlm.nih.gov/pubmed/36418366 http://dx.doi.org/10.1038/s41598-022-23992-2 |
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