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Movie editing influences spectators’ time perception

Filmmakers use different techniques (e.g., camera movements, editing) to shape viewers' experience. In particular, editing can be used to handle the temporal unfolding of events represented in a movie. Nevertheless, little is known about how different editing types impact viewers’ time percepti...

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Autores principales: Kovarski, Klara, Dos Reis, Joanna, Chevais, Claire, Hamel, Anaïs, Makowski, Dominique, Sperduti, Marco
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9684412/
https://www.ncbi.nlm.nih.gov/pubmed/36418366
http://dx.doi.org/10.1038/s41598-022-23992-2
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author Kovarski, Klara
Dos Reis, Joanna
Chevais, Claire
Hamel, Anaïs
Makowski, Dominique
Sperduti, Marco
author_facet Kovarski, Klara
Dos Reis, Joanna
Chevais, Claire
Hamel, Anaïs
Makowski, Dominique
Sperduti, Marco
author_sort Kovarski, Klara
collection PubMed
description Filmmakers use different techniques (e.g., camera movements, editing) to shape viewers' experience. In particular, editing can be used to handle the temporal unfolding of events represented in a movie. Nevertheless, little is known about how different editing types impact viewers’ time perception. In an exploratory on-line study (90 participants) and a pre-registered conceptual replication study (60 participants), we asked participants to judge (Study 1) or reproduce (Study 2) the duration of 45 excerpts of the movie “Le Ballon Rouge” containing either continuous editing, action discontinuity editing or no editing. Each excerpt was formatted in three durations (2000, 2500 or 3000 ms). In both studies, we reported that scenes containing continuous editing were perceived as longer than the other two scene types. Moreover, scenes containing action discontinuity editing were perceived as longer than scenes with no editing. This study contributes to the emerging field of psycho-cinematics which could ultimately develop the dialog between arts and science.
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spelling pubmed-96844122022-11-25 Movie editing influences spectators’ time perception Kovarski, Klara Dos Reis, Joanna Chevais, Claire Hamel, Anaïs Makowski, Dominique Sperduti, Marco Sci Rep Article Filmmakers use different techniques (e.g., camera movements, editing) to shape viewers' experience. In particular, editing can be used to handle the temporal unfolding of events represented in a movie. Nevertheless, little is known about how different editing types impact viewers’ time perception. In an exploratory on-line study (90 participants) and a pre-registered conceptual replication study (60 participants), we asked participants to judge (Study 1) or reproduce (Study 2) the duration of 45 excerpts of the movie “Le Ballon Rouge” containing either continuous editing, action discontinuity editing or no editing. Each excerpt was formatted in three durations (2000, 2500 or 3000 ms). In both studies, we reported that scenes containing continuous editing were perceived as longer than the other two scene types. Moreover, scenes containing action discontinuity editing were perceived as longer than scenes with no editing. This study contributes to the emerging field of psycho-cinematics which could ultimately develop the dialog between arts and science. Nature Publishing Group UK 2022-11-22 /pmc/articles/PMC9684412/ /pubmed/36418366 http://dx.doi.org/10.1038/s41598-022-23992-2 Text en © The Author(s) 2022 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) .
spellingShingle Article
Kovarski, Klara
Dos Reis, Joanna
Chevais, Claire
Hamel, Anaïs
Makowski, Dominique
Sperduti, Marco
Movie editing influences spectators’ time perception
title Movie editing influences spectators’ time perception
title_full Movie editing influences spectators’ time perception
title_fullStr Movie editing influences spectators’ time perception
title_full_unstemmed Movie editing influences spectators’ time perception
title_short Movie editing influences spectators’ time perception
title_sort movie editing influences spectators’ time perception
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9684412/
https://www.ncbi.nlm.nih.gov/pubmed/36418366
http://dx.doi.org/10.1038/s41598-022-23992-2
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