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THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX
The “ ’Bo Diddley’ Track”; GSA, 2022 Indianapolis, INLIndianapolis has been described as “The Crossroads of America,” with a long history of fostering the music and entrepreneurial spirit of Black Americans. Starting in 1915 with Mrs. C.J. Walker, America’s first female millionaire and her cosmetic...
Autores principales: | , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Oxford University Press
2022
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9766052/ http://dx.doi.org/10.1093/geroni/igac059.1590 |
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author | Migliaccio, John Marcus, Michael |
author_facet | Migliaccio, John Marcus, Michael |
author_sort | Migliaccio, John |
collection | PubMed |
description | The “ ’Bo Diddley’ Track”; GSA, 2022 Indianapolis, INLIndianapolis has been described as “The Crossroads of America,” with a long history of fostering the music and entrepreneurial spirit of Black Americans. Starting in 1915 with Mrs. C.J. Walker, America’s first female millionaire and her cosmetic enterprise, and the Starr Piano Company and its Gennett Records Studio – identified as “The Cradle of Recorded Jazz” in the 1920s and 30s – both were instrumental in national distribution of the works of the earliest blues, jazz, country, and gospel artists including Louis Armstrong, King Oliver, Alberta Hunter, and Charlie Patton among others.Indianapolis continues to host a thriving Blues music community, and will host the 29th consecutive year of GSA’s “Bo Diddley Track” with local older minority musicians, one of GSA’s most popular and fun events. This year will feature a lecture, interview, and mini-performance with leading local blues musicians exploring their life, influences, music and resilience, followed by a typically raucous live blues performance that evening at a local blues hot-spot, with prizes for the first 50 GSA attendees. This has been going on for 29 years for a reason, folks---don’t miss it! |
format | Online Article Text |
id | pubmed-9766052 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Oxford University Press |
record_format | MEDLINE/PubMed |
spelling | pubmed-97660522022-12-20 THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX Migliaccio, John Marcus, Michael Innov Aging Abstracts The “ ’Bo Diddley’ Track”; GSA, 2022 Indianapolis, INLIndianapolis has been described as “The Crossroads of America,” with a long history of fostering the music and entrepreneurial spirit of Black Americans. Starting in 1915 with Mrs. C.J. Walker, America’s first female millionaire and her cosmetic enterprise, and the Starr Piano Company and its Gennett Records Studio – identified as “The Cradle of Recorded Jazz” in the 1920s and 30s – both were instrumental in national distribution of the works of the earliest blues, jazz, country, and gospel artists including Louis Armstrong, King Oliver, Alberta Hunter, and Charlie Patton among others.Indianapolis continues to host a thriving Blues music community, and will host the 29th consecutive year of GSA’s “Bo Diddley Track” with local older minority musicians, one of GSA’s most popular and fun events. This year will feature a lecture, interview, and mini-performance with leading local blues musicians exploring their life, influences, music and resilience, followed by a typically raucous live blues performance that evening at a local blues hot-spot, with prizes for the first 50 GSA attendees. This has been going on for 29 years for a reason, folks---don’t miss it! Oxford University Press 2022-12-20 /pmc/articles/PMC9766052/ http://dx.doi.org/10.1093/geroni/igac059.1590 Text en © The Author(s) 2022. Published by Oxford University Press on behalf of The Gerontological Society of America. https://creativecommons.org/licenses/by/4.0/This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited. |
spellingShingle | Abstracts Migliaccio, John Marcus, Michael THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX |
title | THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX |
title_full | THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX |
title_fullStr | THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX |
title_full_unstemmed | THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX |
title_short | THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX |
title_sort | blues and older minority musicians: more than just music xxix |
topic | Abstracts |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9766052/ http://dx.doi.org/10.1093/geroni/igac059.1590 |
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