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Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together
The ability to coordinate with others is fundamental for humans to achieve shared goals. Often, harmonious interpersonal coordination requires learning, such as ensemble musicians rehearing together to synchronize their low‐level timing and high‐level aesthetic musical expressions. We investigated h...
Autores principales: | , , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
John Wiley and Sons Inc.
2022
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9796755/ https://www.ncbi.nlm.nih.gov/pubmed/35819164 http://dx.doi.org/10.1111/nyas.14858 |
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author | Wood, Emily A. Chang, Andrew Bosnyak, Dan Klein, Lucas Baraku, Elger Dotov, Dobromir Trainor, Laurel J. |
author_facet | Wood, Emily A. Chang, Andrew Bosnyak, Dan Klein, Lucas Baraku, Elger Dotov, Dobromir Trainor, Laurel J. |
author_sort | Wood, Emily A. |
collection | PubMed |
description | The ability to coordinate with others is fundamental for humans to achieve shared goals. Often, harmonious interpersonal coordination requires learning, such as ensemble musicians rehearing together to synchronize their low‐level timing and high‐level aesthetic musical expressions. We investigated how the coordination dynamics of a professional string quartet changed as they learned unfamiliar pieces together across eight trials. During all trials, we recorded each musician's body sway motion data, and quantified the group's body sway similarity (cross‐correlation) and information flow (Granger causality) on each trial. In line with our hypothesis, group similarity increased, while group information flow decreased significantly across trials. In addition, there was a trend such that group similarity, but not information flow, was related to the quality of the performances. As the ensemble converged on a joint interpretation through rehearsing, their body sways reflected the change from interpersonal information flow for coordinative mutual adaptations and corrections, to synchronous musical coordination made possible by the musicians learning a common internally based expressive interpretation. |
format | Online Article Text |
id | pubmed-9796755 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | John Wiley and Sons Inc. |
record_format | MEDLINE/PubMed |
spelling | pubmed-97967552023-01-04 Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together Wood, Emily A. Chang, Andrew Bosnyak, Dan Klein, Lucas Baraku, Elger Dotov, Dobromir Trainor, Laurel J. Ann N Y Acad Sci Concise Reports The ability to coordinate with others is fundamental for humans to achieve shared goals. Often, harmonious interpersonal coordination requires learning, such as ensemble musicians rehearing together to synchronize their low‐level timing and high‐level aesthetic musical expressions. We investigated how the coordination dynamics of a professional string quartet changed as they learned unfamiliar pieces together across eight trials. During all trials, we recorded each musician's body sway motion data, and quantified the group's body sway similarity (cross‐correlation) and information flow (Granger causality) on each trial. In line with our hypothesis, group similarity increased, while group information flow decreased significantly across trials. In addition, there was a trend such that group similarity, but not information flow, was related to the quality of the performances. As the ensemble converged on a joint interpretation through rehearsing, their body sways reflected the change from interpersonal information flow for coordinative mutual adaptations and corrections, to synchronous musical coordination made possible by the musicians learning a common internally based expressive interpretation. John Wiley and Sons Inc. 2022-07-12 2022-10 /pmc/articles/PMC9796755/ /pubmed/35819164 http://dx.doi.org/10.1111/nyas.14858 Text en © 2022 The Authors. Annals of the New York Academy of Sciences published by Wiley Periodicals LLC on behalf of New York Academy of Sciences. https://creativecommons.org/licenses/by-nc-nd/4.0/This is an open access article under the terms of the http://creativecommons.org/licenses/by-nc-nd/4.0/ (https://creativecommons.org/licenses/by-nc-nd/4.0/) License, which permits use and distribution in any medium, provided the original work is properly cited, the use is non‐commercial and no modifications or adaptations are made. |
spellingShingle | Concise Reports Wood, Emily A. Chang, Andrew Bosnyak, Dan Klein, Lucas Baraku, Elger Dotov, Dobromir Trainor, Laurel J. Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together |
title | Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together |
title_full | Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together |
title_fullStr | Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together |
title_full_unstemmed | Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together |
title_short | Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together |
title_sort | creating a shared musical interpretation: changes in coordination dynamics while learning unfamiliar music together |
topic | Concise Reports |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9796755/ https://www.ncbi.nlm.nih.gov/pubmed/35819164 http://dx.doi.org/10.1111/nyas.14858 |
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