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An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique
This paper considers how the pandemic-related concert-free time affected musicians’ practice, specifically in relation to technique. A semi-structured interview was carried out on 22 musicians based in Switzerland (11 males, 11 females; 7 students, 15 non-students; 11 with school-aged children, 11 w...
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2022
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9810800/ https://www.ncbi.nlm.nih.gov/pubmed/36619073 http://dx.doi.org/10.3389/fpsyg.2022.846953 |
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author | Fallowfield, Ellen Gomez, Patrick |
author_facet | Fallowfield, Ellen Gomez, Patrick |
author_sort | Fallowfield, Ellen |
collection | PubMed |
description | This paper considers how the pandemic-related concert-free time affected musicians’ practice, specifically in relation to technique. A semi-structured interview was carried out on 22 musicians based in Switzerland (11 males, 11 females; 7 students, 15 non-students; 11 with school-aged children, 11 without school-aged children; 16 with teaching duties and 6 non-teachers). The amount of practice during the pandemic-related concert-free time was reported as different to usual by 91% and usual for only 9% of participants (p = 0.002). Forty-one percent of participants reported reduced, and 41% “fluctuating” amounts of practice. The proportion of practice time spent on technique was reported by 55% of participants to have increased and by only 9% to have decreased (p = 0.019). Of those who reported an increase in technique practice, 75% agreed this had a positive impact on technique, and only 8% disagreed (p = 0.037). Moreover, 58% considered this work to have changed their current and future practice. Participants were statistically more likely to report “never” watching online tutorials than “often” (p = 0.014), but, of those that did watch such material, 75% agreed that it had a positive impact upon their practice. Most participants created digital content during this period; only 5% produced no such material. An increased use of digital tools was reported by 55% of participants, 92% of whom described this as having a positive effect upon practice and only 8% were unsure (p = 0.022). However, in the unstructured discussion, the use of digital tools appears to be associated with mixed outcomes. Men reported significantly more frequent use of digital tools (91% vs. 45% describing this use as often, p = 0.038) and spent a larger proportion of time on technique relative to their pre-pandemic habits than women (p = 0.065); moreover, a trend indicated that more women than men created digital content in the form of tutorials (p = 0.095). The exceptional situation musicians experienced during the pandemic, which introduced new aspects to musical instrument practice, and accelerated changes already underway, could lead to future work that improves practice under “normal” conditions, and exposes discrepancies between certain demographic groups. |
format | Online Article Text |
id | pubmed-9810800 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2022 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-98108002023-01-05 An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique Fallowfield, Ellen Gomez, Patrick Front Psychol Psychology This paper considers how the pandemic-related concert-free time affected musicians’ practice, specifically in relation to technique. A semi-structured interview was carried out on 22 musicians based in Switzerland (11 males, 11 females; 7 students, 15 non-students; 11 with school-aged children, 11 without school-aged children; 16 with teaching duties and 6 non-teachers). The amount of practice during the pandemic-related concert-free time was reported as different to usual by 91% and usual for only 9% of participants (p = 0.002). Forty-one percent of participants reported reduced, and 41% “fluctuating” amounts of practice. The proportion of practice time spent on technique was reported by 55% of participants to have increased and by only 9% to have decreased (p = 0.019). Of those who reported an increase in technique practice, 75% agreed this had a positive impact on technique, and only 8% disagreed (p = 0.037). Moreover, 58% considered this work to have changed their current and future practice. Participants were statistically more likely to report “never” watching online tutorials than “often” (p = 0.014), but, of those that did watch such material, 75% agreed that it had a positive impact upon their practice. Most participants created digital content during this period; only 5% produced no such material. An increased use of digital tools was reported by 55% of participants, 92% of whom described this as having a positive effect upon practice and only 8% were unsure (p = 0.022). However, in the unstructured discussion, the use of digital tools appears to be associated with mixed outcomes. Men reported significantly more frequent use of digital tools (91% vs. 45% describing this use as often, p = 0.038) and spent a larger proportion of time on technique relative to their pre-pandemic habits than women (p = 0.065); moreover, a trend indicated that more women than men created digital content in the form of tutorials (p = 0.095). The exceptional situation musicians experienced during the pandemic, which introduced new aspects to musical instrument practice, and accelerated changes already underway, could lead to future work that improves practice under “normal” conditions, and exposes discrepancies between certain demographic groups. Frontiers Media S.A. 2022-12-21 /pmc/articles/PMC9810800/ /pubmed/36619073 http://dx.doi.org/10.3389/fpsyg.2022.846953 Text en Copyright © 2022 Fallowfield and Gomez. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Fallowfield, Ellen Gomez, Patrick An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique |
title | An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique |
title_full | An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique |
title_fullStr | An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique |
title_full_unstemmed | An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique |
title_short | An etude for post-pandemic practice: The impact of the COVID-19 pandemic on practice methods and instrumental technique |
title_sort | etude for post-pandemic practice: the impact of the covid-19 pandemic on practice methods and instrumental technique |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9810800/ https://www.ncbi.nlm.nih.gov/pubmed/36619073 http://dx.doi.org/10.3389/fpsyg.2022.846953 |
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