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The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado

The objective of this research is to analyze and interpret the entertainment section of the most important media in Peru, concentrated on two private companies: Grupo La República and Grupo El Comercio, with great journalistic dominance of national information. The entertainment section is as old as...

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Autores principales: Gutiérrez-Gómez, Edgar, Munaris-Parco, Sonia Beatriz
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2023
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9868656/
https://www.ncbi.nlm.nih.gov/pubmed/36698754
http://dx.doi.org/10.3389/fsoc.2022.978403
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author Gutiérrez-Gómez, Edgar
Munaris-Parco, Sonia Beatriz
author_facet Gutiérrez-Gómez, Edgar
Munaris-Parco, Sonia Beatriz
author_sort Gutiérrez-Gómez, Edgar
collection PubMed
description The objective of this research is to analyze and interpret the entertainment section of the most important media in Peru, concentrated on two private companies: Grupo La República and Grupo El Comercio, with great journalistic dominance of national information. The entertainment section is as old as the foundation of the newspapers themselves. The method of analysis with qualitative documents has allowed us to reach the conclusion that the fight for gender equality promoted by the government is a spectacle for the national press. The entertainment section of the Peruvian press has exposed the private lives of representative characters such as the singers Marisol, “La Faraona de la Cumbia” and Tony Rosado, “El Ruiseñor de la Cumbia”, from there the differences in feminism tolerated in Marisol and machismo censored in Rosado are popularized. It is concluded that the exposure of the struggle for gender equality is entertainment news where machismo and feminism are underhandedly justified with the parameter established with these public figures, that is, Peruvian cumbia singer–songwriters, and that offers evidence of the tolerance to the feminine voice that incites machismo, justifies the mistreatment of men and makes the male complaint a synonym of cowardice.
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spelling pubmed-98686562023-01-24 The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado Gutiérrez-Gómez, Edgar Munaris-Parco, Sonia Beatriz Front Sociol Sociology The objective of this research is to analyze and interpret the entertainment section of the most important media in Peru, concentrated on two private companies: Grupo La República and Grupo El Comercio, with great journalistic dominance of national information. The entertainment section is as old as the foundation of the newspapers themselves. The method of analysis with qualitative documents has allowed us to reach the conclusion that the fight for gender equality promoted by the government is a spectacle for the national press. The entertainment section of the Peruvian press has exposed the private lives of representative characters such as the singers Marisol, “La Faraona de la Cumbia” and Tony Rosado, “El Ruiseñor de la Cumbia”, from there the differences in feminism tolerated in Marisol and machismo censored in Rosado are popularized. It is concluded that the exposure of the struggle for gender equality is entertainment news where machismo and feminism are underhandedly justified with the parameter established with these public figures, that is, Peruvian cumbia singer–songwriters, and that offers evidence of the tolerance to the feminine voice that incites machismo, justifies the mistreatment of men and makes the male complaint a synonym of cowardice. Frontiers Media S.A. 2023-01-09 /pmc/articles/PMC9868656/ /pubmed/36698754 http://dx.doi.org/10.3389/fsoc.2022.978403 Text en Copyright © 2023 Gutiérrez-Gómez and Munaris-Parco. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Sociology
Gutiérrez-Gómez, Edgar
Munaris-Parco, Sonia Beatriz
The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado
title The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado
title_full The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado
title_fullStr The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado
title_full_unstemmed The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado
title_short The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado
title_sort spectacle of feminism and machismo in two peruvian cumbia singers: marisol and tony rosado
topic Sociology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9868656/
https://www.ncbi.nlm.nih.gov/pubmed/36698754
http://dx.doi.org/10.3389/fsoc.2022.978403
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