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Beat alignment ability is associated with formal musical training not current music playing

The ability to perceive the beat in music is crucial for both music listeners and players with expert musicians being notably skilled at noticing fine deviations in the beat. However, it is unclear whether this beat perception ability is enhanced in trained musicians who continue to practice relativ...

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Autores principales: Spiech, Connor, Endestad, Tor, Laeng, Bruno, Danielsen, Anne, Haghish, E. F.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2023
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9922839/
https://www.ncbi.nlm.nih.gov/pubmed/36794086
http://dx.doi.org/10.3389/fpsyg.2023.1034561
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author Spiech, Connor
Endestad, Tor
Laeng, Bruno
Danielsen, Anne
Haghish, E. F.
author_facet Spiech, Connor
Endestad, Tor
Laeng, Bruno
Danielsen, Anne
Haghish, E. F.
author_sort Spiech, Connor
collection PubMed
description The ability to perceive the beat in music is crucial for both music listeners and players with expert musicians being notably skilled at noticing fine deviations in the beat. However, it is unclear whether this beat perception ability is enhanced in trained musicians who continue to practice relative to musicians who no longer play. Thus, we investigated this by comparing active musicians’, inactive musicians’, and nonmusicians’ beat alignment ability scores on the Computerized Adaptive Beat Alignment Test (CA-BAT). 97 adults with diverse musical experience participated in the study, reporting their years of formal musical training, number of instruments played, hours of weekly music playing, and hours of weekly music listening, in addition to their demographic information. While initial tests between groups indicated active musicians outperformed inactive musicians and nonmusicians on the CA-BAT, a generalized linear regression analysis showed that there was no significant difference once differences in musical training had been accounted for. To ensure that our results were not impacted by multicollinearity between music-related variables, nonparametric and nonlinear machine learning regressions were employed and confirmed that years of formal musical training was the only significant predictor of beat alignment ability. These results suggest that expertly perceiving fine differences in the beat is not a use-dependent ability that degrades without regular maintenance through practice or musical engagement. Instead, better beat alignment appears to be associated with more musical training regardless of continued use.
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spelling pubmed-99228392023-02-14 Beat alignment ability is associated with formal musical training not current music playing Spiech, Connor Endestad, Tor Laeng, Bruno Danielsen, Anne Haghish, E. F. Front Psychol Psychology The ability to perceive the beat in music is crucial for both music listeners and players with expert musicians being notably skilled at noticing fine deviations in the beat. However, it is unclear whether this beat perception ability is enhanced in trained musicians who continue to practice relative to musicians who no longer play. Thus, we investigated this by comparing active musicians’, inactive musicians’, and nonmusicians’ beat alignment ability scores on the Computerized Adaptive Beat Alignment Test (CA-BAT). 97 adults with diverse musical experience participated in the study, reporting their years of formal musical training, number of instruments played, hours of weekly music playing, and hours of weekly music listening, in addition to their demographic information. While initial tests between groups indicated active musicians outperformed inactive musicians and nonmusicians on the CA-BAT, a generalized linear regression analysis showed that there was no significant difference once differences in musical training had been accounted for. To ensure that our results were not impacted by multicollinearity between music-related variables, nonparametric and nonlinear machine learning regressions were employed and confirmed that years of formal musical training was the only significant predictor of beat alignment ability. These results suggest that expertly perceiving fine differences in the beat is not a use-dependent ability that degrades without regular maintenance through practice or musical engagement. Instead, better beat alignment appears to be associated with more musical training regardless of continued use. Frontiers Media S.A. 2023-01-30 /pmc/articles/PMC9922839/ /pubmed/36794086 http://dx.doi.org/10.3389/fpsyg.2023.1034561 Text en Copyright © 2023 Spiech, Endestad, Laeng, Danielsen and Haghish. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Spiech, Connor
Endestad, Tor
Laeng, Bruno
Danielsen, Anne
Haghish, E. F.
Beat alignment ability is associated with formal musical training not current music playing
title Beat alignment ability is associated with formal musical training not current music playing
title_full Beat alignment ability is associated with formal musical training not current music playing
title_fullStr Beat alignment ability is associated with formal musical training not current music playing
title_full_unstemmed Beat alignment ability is associated with formal musical training not current music playing
title_short Beat alignment ability is associated with formal musical training not current music playing
title_sort beat alignment ability is associated with formal musical training not current music playing
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9922839/
https://www.ncbi.nlm.nih.gov/pubmed/36794086
http://dx.doi.org/10.3389/fpsyg.2023.1034561
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