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Enduring musician advantage among former musicians in prosodic pitch perception
Musical training has been associated with various cognitive benefits, one of which is enhanced speech perception. However, most findings have been based on musicians taking part in ongoing music lessons and practice. This study thus sought to determine whether the musician advantage in pitch percept...
Autores principales: | , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2023
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9929097/ https://www.ncbi.nlm.nih.gov/pubmed/36788323 http://dx.doi.org/10.1038/s41598-023-29733-3 |
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author | Toh, Xin Ru Tan, Shen Hui Wong, Galston Lau, Fun Wong, Francis C. K. |
author_facet | Toh, Xin Ru Tan, Shen Hui Wong, Galston Lau, Fun Wong, Francis C. K. |
author_sort | Toh, Xin Ru |
collection | PubMed |
description | Musical training has been associated with various cognitive benefits, one of which is enhanced speech perception. However, most findings have been based on musicians taking part in ongoing music lessons and practice. This study thus sought to determine whether the musician advantage in pitch perception in the language domain extends to individuals who have ceased musical training and practice. To this end, adult active musicians (n = 22), former musicians (n = 27), and non-musicians (n = 47) were presented with sentences spoken in a native language, English, and a foreign language, French. The final words of the sentences were either prosodically congruous (spoken at normal pitch height), weakly incongruous (pitch was increased by 25%), or strongly incongruous (pitch was increased by 110%). Results of the pitch discrimination task revealed that although active musicians outperformed former musicians, former musicians outperformed non-musicians in the weakly incongruous condition. The findings suggest that the musician advantage in pitch perception in speech is retained to some extent even after musical training and practice is discontinued. |
format | Online Article Text |
id | pubmed-9929097 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2023 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-99290972023-02-16 Enduring musician advantage among former musicians in prosodic pitch perception Toh, Xin Ru Tan, Shen Hui Wong, Galston Lau, Fun Wong, Francis C. K. Sci Rep Article Musical training has been associated with various cognitive benefits, one of which is enhanced speech perception. However, most findings have been based on musicians taking part in ongoing music lessons and practice. This study thus sought to determine whether the musician advantage in pitch perception in the language domain extends to individuals who have ceased musical training and practice. To this end, adult active musicians (n = 22), former musicians (n = 27), and non-musicians (n = 47) were presented with sentences spoken in a native language, English, and a foreign language, French. The final words of the sentences were either prosodically congruous (spoken at normal pitch height), weakly incongruous (pitch was increased by 25%), or strongly incongruous (pitch was increased by 110%). Results of the pitch discrimination task revealed that although active musicians outperformed former musicians, former musicians outperformed non-musicians in the weakly incongruous condition. The findings suggest that the musician advantage in pitch perception in speech is retained to some extent even after musical training and practice is discontinued. Nature Publishing Group UK 2023-02-14 /pmc/articles/PMC9929097/ /pubmed/36788323 http://dx.doi.org/10.1038/s41598-023-29733-3 Text en © The Author(s) 2023 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Toh, Xin Ru Tan, Shen Hui Wong, Galston Lau, Fun Wong, Francis C. K. Enduring musician advantage among former musicians in prosodic pitch perception |
title | Enduring musician advantage among former musicians in prosodic pitch perception |
title_full | Enduring musician advantage among former musicians in prosodic pitch perception |
title_fullStr | Enduring musician advantage among former musicians in prosodic pitch perception |
title_full_unstemmed | Enduring musician advantage among former musicians in prosodic pitch perception |
title_short | Enduring musician advantage among former musicians in prosodic pitch perception |
title_sort | enduring musician advantage among former musicians in prosodic pitch perception |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9929097/ https://www.ncbi.nlm.nih.gov/pubmed/36788323 http://dx.doi.org/10.1038/s41598-023-29733-3 |
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