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The spontaneous emergence of rhythmic coordination in turn taking

Turn-taking is a feature of many social interactions such as group music-making, where partners must alternate turns with high precision and accuracy. In two studies of musical rhythm coordination, we investigated how joint action partners learn to coordinate the timing of turn-taking. Musically ine...

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Detalles Bibliográficos
Autores principales: Zamm, Anna, Debener, Stefan, Sebanz, Natalie
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2023
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9958099/
https://www.ncbi.nlm.nih.gov/pubmed/36828878
http://dx.doi.org/10.1038/s41598-022-18480-6
Descripción
Sumario:Turn-taking is a feature of many social interactions such as group music-making, where partners must alternate turns with high precision and accuracy. In two studies of musical rhythm coordination, we investigated how joint action partners learn to coordinate the timing of turn-taking. Musically inexperienced individuals learned to tap at the rate of a pacing cue individually or jointly (in turn with a partner), where each tap produced the next tone in a melodic sequence. In Study 1, partners alternated turns every tap, whereas in Study 2 partners alternated turns every two taps. Findings revealed that partners did not achieve the same level of performance accuracy or precision of inter-tap intervals (ITIs) when producing tapping sequences jointly relative to individually, despite showing learning (increased ITI accuracy and precision across the experiment) in both tasks. Strikingly, partners imposed rhythmic patterns onto jointly produced sequences that captured the temporal structure of turns. Together, learning to produce novel temporal sequences in turn with a partner appears to be more challenging than learning to produce the same sequences alone. Critically, partners may impose rhythmic structures onto turn-taking sequences as a strategy for facilitating coordination.