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The spontaneous emergence of rhythmic coordination in turn taking
Turn-taking is a feature of many social interactions such as group music-making, where partners must alternate turns with high precision and accuracy. In two studies of musical rhythm coordination, we investigated how joint action partners learn to coordinate the timing of turn-taking. Musically ine...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2023
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9958099/ https://www.ncbi.nlm.nih.gov/pubmed/36828878 http://dx.doi.org/10.1038/s41598-022-18480-6 |
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author | Zamm, Anna Debener, Stefan Sebanz, Natalie |
author_facet | Zamm, Anna Debener, Stefan Sebanz, Natalie |
author_sort | Zamm, Anna |
collection | PubMed |
description | Turn-taking is a feature of many social interactions such as group music-making, where partners must alternate turns with high precision and accuracy. In two studies of musical rhythm coordination, we investigated how joint action partners learn to coordinate the timing of turn-taking. Musically inexperienced individuals learned to tap at the rate of a pacing cue individually or jointly (in turn with a partner), where each tap produced the next tone in a melodic sequence. In Study 1, partners alternated turns every tap, whereas in Study 2 partners alternated turns every two taps. Findings revealed that partners did not achieve the same level of performance accuracy or precision of inter-tap intervals (ITIs) when producing tapping sequences jointly relative to individually, despite showing learning (increased ITI accuracy and precision across the experiment) in both tasks. Strikingly, partners imposed rhythmic patterns onto jointly produced sequences that captured the temporal structure of turns. Together, learning to produce novel temporal sequences in turn with a partner appears to be more challenging than learning to produce the same sequences alone. Critically, partners may impose rhythmic structures onto turn-taking sequences as a strategy for facilitating coordination. |
format | Online Article Text |
id | pubmed-9958099 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2023 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-99580992023-02-26 The spontaneous emergence of rhythmic coordination in turn taking Zamm, Anna Debener, Stefan Sebanz, Natalie Sci Rep Article Turn-taking is a feature of many social interactions such as group music-making, where partners must alternate turns with high precision and accuracy. In two studies of musical rhythm coordination, we investigated how joint action partners learn to coordinate the timing of turn-taking. Musically inexperienced individuals learned to tap at the rate of a pacing cue individually or jointly (in turn with a partner), where each tap produced the next tone in a melodic sequence. In Study 1, partners alternated turns every tap, whereas in Study 2 partners alternated turns every two taps. Findings revealed that partners did not achieve the same level of performance accuracy or precision of inter-tap intervals (ITIs) when producing tapping sequences jointly relative to individually, despite showing learning (increased ITI accuracy and precision across the experiment) in both tasks. Strikingly, partners imposed rhythmic patterns onto jointly produced sequences that captured the temporal structure of turns. Together, learning to produce novel temporal sequences in turn with a partner appears to be more challenging than learning to produce the same sequences alone. Critically, partners may impose rhythmic structures onto turn-taking sequences as a strategy for facilitating coordination. Nature Publishing Group UK 2023-02-24 /pmc/articles/PMC9958099/ /pubmed/36828878 http://dx.doi.org/10.1038/s41598-022-18480-6 Text en © The Author(s) 2023 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Zamm, Anna Debener, Stefan Sebanz, Natalie The spontaneous emergence of rhythmic coordination in turn taking |
title | The spontaneous emergence of rhythmic coordination in turn taking |
title_full | The spontaneous emergence of rhythmic coordination in turn taking |
title_fullStr | The spontaneous emergence of rhythmic coordination in turn taking |
title_full_unstemmed | The spontaneous emergence of rhythmic coordination in turn taking |
title_short | The spontaneous emergence of rhythmic coordination in turn taking |
title_sort | spontaneous emergence of rhythmic coordination in turn taking |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9958099/ https://www.ncbi.nlm.nih.gov/pubmed/36828878 http://dx.doi.org/10.1038/s41598-022-18480-6 |
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