“…During the First World War, the horror of facial mutilation was evoked in journalism, poems, memoirs and fiction; but in Britain it was almost never represented visually outside the professional contexts of clinical medicine and medical history. …”
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“…Having considered these different investments in the past – one emphasising medical progress, the other highlighting enduring anxieties about medical experimentation – we turn to the first cinematic portrayal of face transplantation, in Georges Franju’s horror classic Les Yeux sans Visage ( Eyes Without a Face, 1959). …”
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