Mostrando 1 - 12 Resultados de 12 Para Buscar '"Bauhaus"', tiempo de consulta: 0.12s Limitar resultados
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    por White-Hancock, Lorraine
    Publicado 2022
    “…This paper examines Bauhaus School (1919–1933) innovation and relevance today. …”
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    “…Two groups of subjects were presented with two façade designs, one with the front façade of the existing Atlanta Public Library, an exercise in modern abstract plastic composition by the Bauhaus-trained architect Marcel Breuer, and the other with alteration that toned down its plasticity and enhanced simple relations of its parts like symmetry and repetition. …”
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    “…The measurements were conducted at the campus of the Bauhaus-University Weimar in Weimar, Germany and consisted of recording exterior air temperature, globe temperature, relative humidity, and wind velocity at 1.5 m at four points on four different days. …”
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    “…In the early twentieth century, the Bauhaus revolutionized art and design by using simple colors and forms. …”
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    “…Waste materials from the automotive industries were re-used as aggregates into metakaolin-based geopolymer (GP), geopolymer mortar (GM), and Bauhaus B20-based concrete composite (C). Specifically, the study evaluates the ability of windshield silica glass (W), PVB-Foils (P), and rubber granulates (G) to impact the mechanical and thermal properties. …”
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  10. 10
    por Dreksler, Noemi, Spence, Charles
    Publicado 2019
    “…Research on the topic of colour–shape correspondences started in the early 20th century with the Bauhaus artist Wassily Kandinsky. However, more recently, the topic has been examined using the empirical framework of crossmodal correspondences research. …”
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    “…SETTING: Research laboratory at the Bauhaus-University Weimar. SUBJECTS: A male subject. …”
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  12. 12
    por Holmes, Tim, Zanker, Johannes M.
    Publicado 2013
    “…In the present study, the GDEA was used to investigate the preferred combination of color and shape which have been promoted in the Bauhaus arts school. We used the same three shapes (square, circle, triangle) used by Kandinsky (1923), with the three color palette from the original experiment (A), an extended seven color palette (B), and eight different shape orientation (C). …”
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