“…Finally, it tries to create a dialogue between thirty short stories –which were recollected later, most part in Ojos de perro azul–, written in those youthful years, with traditional forms and new forms, marked by the spirit of search and by a progressive adjustment of the literary expression, whose first effects will be shown in some short stories from Los funerales de la Mamá Grande –“La siesta del martes”, “En este pueblo no hay ladrones”– and in that masterpiece of the short novel that is El coronel no tiene quien le escriba.…”
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