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1por Alegret, Mauro“…In Villa it’s possible to identify the political use of the memory sites and how Calderón works with a fundamental question: is it possible to represent the horror of State terrorism? In the Performing Arts and Memory Cycle, the author discusses the intersection between theatre and political militancy, and the enabling of new spaces for social community where bodies have been subjected to pain. …”
Publicado 2020
Enlace del recurso
Enlace del recurso
Online Artículo