Tabla de Contenidos: “…Rákóczy march (from La damnation de Faust) / Berlioz -- Turkish march (from The ruins of Athens) / Beethoven -- Coronation march (from Le Prophéte) / Meyerbeer -- Wedding march (from A midsummer night's dream) / Mendelssohn -- Procession of the Sardar (from Caucasian sketches) / Ippolitov-Ivanov -- Radetzky march / Johann Strauss I -- Marche des petits faunes (from Cydalise et le chévre-pied) / Pierné -- March (from The nutcracker) / Tchaikovsky -- Pomp and circumstance no. 1 (Elgar) -- Triumphal march (from Aida) / Verdi -- Funeral march of a marionette / Gounod -- March (from The love for three oranges) / Prokofiev -- Intermezzo (from Karelia suite) / Sibelius -- The imperial march (Darth Vader's theme from The empire strikes back) / Williams -- March of the toys (from Babes in Toyland) / Herbert -- Saint Louis Symphony march / Ganz, arr. …”

Tabla de Contenidos: “…The problem of language-learning -- out of the mouths of babes -- how do children learn language -- language-learning aross the globe -- language-learning by hand -- does more or less input matter -- language development without a language model -- background on deafness and language-learning -- how do we begin -- words -- parts of words -- combining words into simple sentences -- making complex sentences out of simple ones: recursion -- building a system -- beyond the here and now: the function gesture serves -- how might hearing parents foster gesture -- creation in their deaf children -- gesture creation across the globe -- conditions that foster language and language learning -- how do the resilient properties of language help children learn language -- when does gesture become language -- is language innate -- resilience of language.…”
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Tabla de Contenidos: “…/ Leroy Anderson (2:28) -- The march of the toys (from Babes in Toyland) / Victor Herbert (3:55) -- Holiday for strings / David Rose (3:14) -- Narcissus / Ethelbert Nevin (2:26) -- Symphony No 5 1/2 'A symphony for fun' / Don Gillis (14:07) -- The carousel wa1tz / Richard Rodgers (7:47).…”