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Historia
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201
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202“…Twelve professional harpsichordists recorded three pieces representative of the Baroque harpsichord repertoire, including three interpretations of one of these pieces, each emphasizing a different melodic line, on an instrument equipped with a MIDI console. …”
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203“…Six professional harpsichordists, three prize-winners and three non prize-winners, made two recordings of two pieces from the Baroque period (a variation on a Partita by Frescobaldi and a rondo by François Couperin) on an instrument equipped with a MIDI console. …”
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204por Pelowski, Matthew, Gerger, Gernot, Chetouani, Yasmine, Markey, Patrick S., Leder, Helmut“…Participants viewed a range of image types—Abstract, Hyperrealistic, Poorly Executed paintings, Readymade sculptures, as well as Renaissance and Baroque paintings. They classified these as “art” or “not art” using both binary and analog scales, and also assessed for liking. …”
Publicado 2017
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205“…According to Geminiani, a Baroque violinist, the ideal violin tone should “rival the most perfect human voice.” …”
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206“…These cyclical oppressions can be identified in the baroque and modernist periods, and a third oppression may occur in the contemporary period. …”
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207
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208por Jurkšienė, Girmantė, Danusevičius, Darius, Kembrytė-Ilčiukienė, Rūta, Baliuckas, Virgilijus“…We benefited from the availability of a species-specific DNA marker to describe the morphometry of T. cordata × platyphyllos hybrids of an impressive age (ca. 150 years) grown in the Pazaislis baroque monastery yard in Central Lithuania. In an earlier study on a country-wide set of 543 T. cordata individuals from natural forest populations in Lithuania, we detected a nuclear microsatellite locus Tc8 well-differentiating between T. cordata and T. platyphyllos. …”
Publicado 2023
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209“…The Altar Machine was dated back to the second half of the 18(th) century; it is constituted by carved and painted wood, a complex system of winch and pulleys allows move various statues and parts of the Machine in accordance with the baroque scenography machineries. RESULTS: The observation and survey of the mechanisms allowed formulate hypothesis on a more ancient mode of operation of the Altar Machine. …”
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210por Nikolsky, Aleksey“…The connection between tonal organization in music and spatial organization in pictorial art is established in the Baroque culture, and then tracked back to prehistoric times. …”
Publicado 2016
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211
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212por Gutiérrez Reyna, Jorge“…This sources concern to the astronomical and archeological knowledge of the Baroque: Historia Natural by Plinio -translated by Jerónimo de Huerta and published, in two volumes, in Madrid, between 1624 and 1629- and Mundus Symbolicus by Filippo Piccinelli -published, in Italian, for the first time in 1653 and, in Latin, in 1681. …”
Publicado 2022
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213“…These reactions frequently involve mitochondria and employ such seemingly baroque processes as running the Krebs cycle, the metabolic heart of the cell, backwards. …”
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214“…A listening experiment was conducted where 30 participants indicated perceived accented notes for 60 melodies, vocal and instrumental, selected from Baroque, Romantic and Post-tonal styles. This produced a large and unique collection of perceptual data about the perceived immanent accents, organized by styles consisting of vocal and instrumental melodies within Western art music. …”
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215por Ripolles, María, Sánchez-Guerrero, María J., Perdomo-González, Davinia I., Azor, Pedro, Valera, Mercedes“…ABSTRACT: Ewe Neck is a relatively common morphological defect in Pura Raza Español (PRE) horses and other Baroque type horse breeds, which adversely affects the breeding industry; (1) objectives: to establish the within-breed prevalence, possible associated factors, and heritability of Ewe Neck in PRE horses; (2) methods: the database included evaluations of 35,267 PRE horses. …”
Publicado 2020
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216por Allegri, Gregorio, 1582-1652Tabla de Contenidos: “…Miserere á neuf voix : version avec ornamentations baroques -- Messe Vidi turbam magnam -- Motets: De ore prudentis ; Repleti sunt omnes ; Cantate domino -- Miserere á neuf voix.…”
Publicado 1994
CD Audiom -
217Publicado 1993Tabla de Contenidos: “…Hallelujah (3:36) ; For unto us a Child is born (4:01) ; Amen (3:46) / Handel (The Scholars Baroque Ensemble) -- Miserere mei / Allegri (Oxford Camerata; Jeremy Summerly) (10:10) -- Ein feste Burg ist unser Gott, BWV 80 : Chor / J.S. …”
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218Publicado 2013Tabla de Contenidos: “…La reina de las hadas / Henry Purcell (The Scholars Baroque Ensemble) (1:24) -- Sueño de una noche de verano / Felix Mendelssohn (Scottish Chamber Orchestra, Jamie Laredo, conductor) (1:23) -- La danza de Puck (Preludios) / Claude Debussy (Martin Jones, piano) (1:56) -- Danza del hada de azúcar (El cascanueces) / Pyotr Ilych Tchaikovsky (Philharmonia Slavonica, Hans-Peter Gmur, conductor) (1:25) -- La bruja Baba Yaga (Álbum para la juventud) / Pyotr Ilych Tchaikovsky (Idil Biret, piano) (:38) -- La cabaña con patas de gallina (Cuadros de una exposición, IX) / Modest Mussorgsky (Radio Symphony Orchestra, Alexander Mikjailov, conductor) (1:24) -- Gnomus (Cuadros de una exposición, IX) / Modest Mussorgsky (Radio Symphony Orchestra, Alexander Mikjailov, conductor) (1:25) -- En la cueva del Rey de la Montaña (Peer Gynt) / Edvard Grieg (Philharmonia Slavonica, Alberto Lizzio, conductor) (2:30) -- El Rey de los Elfos / Franz Schubert (Dietrich Fisher-Dieskau, baritone, Gerald Moore, piano) (4:13) -- La danza macabra / Camille Saint-Saëns (CSR Symphony Orchestra (Bratislava), Stephen Gunzenhauser, conductor) (1:51) -- Danza del terror (El amor brujo) / Manuel de Falla (Ljubljana Radio Symphony Orchestra, Anton Nanut, conductor, Eva Novsak-Houska, mezzo-soprano) (2:09) -- Danza de los espíritus bienaventurados (Orfeo y Eurídice) / Christoph Willibald Gluck (Academy of Saint Martin in the Fields, Iona Brown, conductor) (1:14) -- La cabalgata de los valquirias (La valquiria) / Richard Wagner (London Philharmonic Orchestra, Albert Lizzio, conductor) (1:18) -- La Reina de la Noche (La flauta mágica) / Wolfgang Amadeus Mozart (Budapest Failoni Chamber Orchestra, Michael Halasz, conductor, Hellen Kwon, soprano) (1:38) -- Coro de las brujas (Macbeth) / Giuseppe Verdi (Orchestra e Coro del Teatro alla Scala) (2:00) -- La danza de las brujas / Nicolò Paganini (London Philharmonic Orchestra, Charles Dutoit, conductor, Salvatore Accardo, violin) (1:31) -- El aprendiz de brujo / Paul Dukas (CSR Symphony Orchestra (Bratislava), Kenneth Jean, conductor) (2:22) -- El trino del Diablo (Sonata) / Giuseppe Tartini (Anne-Sophie Mitter, violin) (2:10) -- La escalera del Diablo (Estudio n. 13) / Gyorgy Ligeti (Erika Haase, piano) (2:15) -- Danza infernal del rey Katshei (El pájaro de fuego) / Igor Stravinsky (London Philharmonic Orchestra, Robert Craft, director) (4:15).…”
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219
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220por Cortés Guadarrama, Marcos“…Based on the literary historiography, the intention is to state that certain stories provided for baroque literate communities from the New Spain explain the diseases of their time -known under the name of plague and its symptom- and have transfigured in the actual plague of COVID-19. …”
Publicado 2022
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