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21por Turabián, José Luis, Samarín-Ocampos, Elena, Minier, Luis, Pérez-Franco, Benjamín“…; It was a mystery, and based on metaphors, we framed the mechanism of “the trace that should not be there” mainly in the first phase of clinical or intuitive reasoning, but this intuition of the doctor should be accompanied by the diagnostic process, like the “basso continuo” of Baroque music, allowing improvisation and personal style, and in this way, eventually observing the footprint “that should not have been there” that may arise in the analytical, as well as in the verification phase of the assumptions made.…”
Publicado 2015
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22por da Silva, Sheila Ap F, Guida, Heraldo L, dos SantosAntônio, Ana M, Vanderlei, Luiz Carlos M, Ferreira, Lucas L, de Abreu, Luiz Carlos, Sousa, Fernando H, Valenti, Vitor E“…No changes were observed regarding TINN, SD1 and SD1/SD2 ratio (p > 0.05).The qualitative Poincaré plot analysis indicated that during relaxant classical baroque music there was observed a higher beat-to-beat dispersion of RR intervals compared with no music exposure and during excitatory heavy metal musical auditory stimulation, showing higher HRV. …”
Publicado 2014
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23por do Amaral, Joice A.T., Guida, Heraldo L., de Abreu, Luiz Carlos, Barnabé, Viviani, Vanderlei, Franciele M., Valenti, Vitor E.“…In conclusion, heavy-metal and baroque musical auditory stimulation at lower intensities acutely reduced global modulation of the heart and only heavy-metal music reduced HRV at higher intensities.…”
Publicado 2015
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30por Roque, Adriano L., Valenti, Vitor E., Guida, Heraldo L., Campos, Mônica F., Knap, André, Vanderlei, Luiz Carlos M., Ferreira, Lucas L., Ferreira, Celso, de Abreu, Luiz Carlos“…We evaluated two groups: Group 1 (n = 21), who were exposed to relaxant classical baroque musical and excitatory heavy metal auditory stimulation; and Group 2 (n = 19), who were exposed to both styles of music and white noise auditory stimulation. …”
Publicado 2013
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