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2por Butt, JohnTabla de Contenidos: “…Historically informed performance in music criticism. Joining the historical performance debate -- Historically informed performance and the implications for work, composer and notation. …”
Publicado 2002
Libro -
3por Kramer, Lawrence, 1946-Tabla de Contenidos: “…Tropes and windows : an outline of musical hermeneutics -- Decadence and desire : the Wilhelm Meister songs of Wolf and Schubert -- Dangerous liaisons : the literary text in musical criticism -- Music criticism and the postmodernist turn : in contrary motion with Gary Tomlinson -- Charging the canons -- The strange case of Beethoven's Coriolan : romantic aesthetics, modern subjectivity, and the cult of Shakespeare -- The harem threshold : Turkish music and Greek love in Beethoven's Ode to joy -- Primitive encounters : Beethoven's Tempest sonata, musical meaning, and enlightenment anthropology -- Tolstoy's Beethoven, Beethoven's Tolstoy : the Kreutzer sonata -- Like falling leaves : the erotics of mourning in four Drum-taps settings -- Chopin at the funeral : episodes in the history of modern death -- Recognizing Schubert : musical subjectivity, cultural change, and Jane Campion's The portrait of a lady -- Haydn's chaos, Schenker's order; or, musical meaning and musical analysis : can they mix? …”
Publicado 2006
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4“…The findings relate directly to current discourses on the role of evaluation in music criticism and the generalizability of aesthetic principles. …”
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5“…This study presents a new systematic method for examining written responses to music, tested on a substantial corpus of music criticism. One hundred critical reviews of Beethoven’s piano sonata recordings, published in the Gramophone between August 1934 and July 2010, were selected using in-depth data reduction (qualitative/quantitative approach). …”
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6“…In the Western classical tradition music criticism represents one of the most complex and influential forms of performance assessment and evaluation. …”
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7por Klein, Peter Daniel“…Much of the interpretation is based on Prokofiev’s own thoughts as expressed in his personal memoirs and from his most distinguished music critics, many of whom were his peers during his lifetime, while some is taken from common sources, which are readily available to teacher and student. …”
Publicado 2014
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