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4821Behavioral Quantification of Audiomotor Transformations in Improvising and Score-Dependent Musicians“…They played along or replicated the excerpts by ear on a digital piano, either with or without aural feedback. In addition, they were asked to harmonize or transpose some of the excerpts either to a different key or to the relative minor. …”
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4822“…Using a novel, carefully planned, ABA′ accompaniment paradigm, and taking into account the possible influences of mood, psychotropic medication, general attachment, and musical sophistication, we recorded piano improvisations of 16 BPD patients and 12 matched healthy controls. …”
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4823por Nie, Yingjiu, Galvin, John J., Morikawa, Michael, André, Victoria, Wheeler, Harley, Fu, Qian-Jie“…Music perception was measured using a melodic contour identification (MCI) task; stimuli were a piano sample or sung speech with a fixed timbre (same word for each note) or a mixed timbre (different words for each note). …”
Publicado 2018
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4824por Gatti, Anna, Habtemariam, Abraha, Romero-Canelón, Isolda, Song, Ji-Inn, Heer, Bindy, Clarkson, Guy J., Rogolino, Dominga, Sadler, Peter J., Carcelli, Mauro“…X-ray crystallography showed that all four complexes possess half-sandwich pseudo-octahedral “three-legged piano-stool” structures, with a neutral N,S-chelating thiosemicarbazone ligand and a terminal chloride occupying three coordination positions. …”
Publicado 2018
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4825por Michail, Georgios, Nikulin, Vadim V., Curio, Gabriel, Maess, Burkhard, Herrojo Ruiz, María“…Analysing the neuromagnetic signals from 20 participants while they performed short piano sequences under the occasional effect of altered feedback (AF), we found that at around 150–200 ms post-keystroke, the neural activities in the dorsolateral prefrontal cortex (DLPFC) and supplementary motor area (SMA) were dissociated for boundary and within-sequence elements. …”
Publicado 2018
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4826“…The ruthenium(II) ion is found in a pseudo-octahedral “piano-stool” geometry in all compounds. Bond lengths and angles are consistent with other complexes of this type. …”
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4827“…The present study employed brain stimulation to evaluate the role of the primary motor cortex (M1) in creative and technically fluent jazz piano improvisations. We implemented transcranial direct current stimulation (tDCS) to alter the neural activation patterns of the left hemispheric M1 whilst pianists performed improvisations with their right hand. …”
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4828“…Using a passive auditory oddball paradigm in combination with electroencephalography, they observed electrophysiological differences between musicians with and without AP in response to piano tones. Specifically, the AP musicians showed a smaller P3a, an event-related potential (ERP) component presumably reflecting early attentional processes. …”
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4829por Chang, Andrew, Kragness, Haley E., Livingstone, Steven R., Bosnyak, Dan J., Trainor, Laurel J.“…To quantify joint emotional expression, we used motion capture to simultaneously measure the body sway of each musician in a trio (piano, violin, cello) during performances. Excerpts were performed with or without emotional expression. …”
Publicado 2019
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4830por Daikoku, Tatsuya“…The present study investigated how the probabilistic model and the uncertainty in music fluctuate over a composer's lifetime (all of the 32 piano sonatas by Ludwig van Beethoven). In the late periods of the composer's lifetime, the transitional probabilities (TPs) of sequential patterns that ubiquitously appear in all of his music (familiar phrase) were decreased, whereas the uncertainties of the whole structure were increased. …”
Publicado 2019
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4831“…The subjects listened to a 4 min recording of Mozart's Piano Sonata No. 4 (K282) performed by an experienced pianist. …”
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4832por Datseris, George, Ziereis, Annika, Albrecht, Thorsten, Hagmayer, York, Priesemann, Viola, Geisel, Theo“…The present study addresses jazz music and swing in particular, as there is some evidence that microtiming patterns are genre-specific. We recorded twelve piano jazz standards played by a professional pianist and manipulated the natural MTDs of the recordings in systematic ways by quantizing, expanding and inverting them. …”
Publicado 2019
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4833“…Stimuli were 200 infant faces displaying Happiness, Relaxation, Sadness, Distress and 32 piano musical pieces conveying the same emotional states (as specifically assessed). …”
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4834por Archakov, Denis, DeWitt, Iain, Kuśmierek, Paweł, Ortiz-Rios, Michael, Cameron, Daniel, Cui, Ding, Morin, Elyse L., VanMeter, John W., Sams, Mikko, Jääskeläinen, Iiro P., Rauschecker, Josef P.“…To address this question, we trained macaques to perform an auditory–motor task producing sound sequences via hand presses on a newly designed device (“monkey piano”). Catch trials were interspersed to ascertain the monkeys were listening to the sounds they produced. …”
Publicado 2020
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4835“…Four-tone sequences were used in conjunction with a simple musical accompaniment that acted as a masker (cello/piano dyads or spectrally matched noise). In each trial, a signal-masker mixture was presented, followed by two different versions of the signal alone. …”
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4836“…BACKGROUND: Reports of drummers’ dystonia are rare, particularly compared to the literature on dystonia in string, piano and brass players. Several cases of drummers’ dystonia have been included in large series of multiple instrumentalists, but there are few reports comprised exclusively of drummers with musicians’ dystonia. …”
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4837“…Experiment 1 tests for ISAP ability by comparing oboists’ pitch identification accuracies for notes played on the oboe and on the piano. A subset of the participants from Experiment 1 who demonstrate this ability will be recruited for Experiment 2; the purpose of Experiment 2 is to test hypotheses concerning a mechanistic explanation for ISAP. …”
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4838“…Children born before 30 weeks’ gestation or who had very low birthweight (< 1500 g) underwent neurodevelopmental assessment and MRI at age 7 years as part of the PIANO study, a New Zealand-based cohort study. Fractional anisotropy (FA) and diffusivity measures were derived from diffusion tensor imaging to index white matter microstructure. …”
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4839por Reis, Katherine S., Heald, Shannon L. M., Veillette, John P., Van Hedger, Stephen C., Nusbaum, Howard C.“…Additionally, the FFR predicts labelling performance for piano tones better than unfamiliar sine tones. Taken together, the FFR reliably distinguishes individuals based on their explicit pitch labeling abilities, which highlights the complex dynamics between sensory processing and cognition.…”
Publicado 2021
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4840“…We perform proof-of-concept experimental testing of our pneumatic RAM by using it to control soft robotic hands playing individual notes, chords, and songs on a piano keyboard. By dramatically reducing the amount of hardware required to control multiple independent actuators in pneumatic soft robots, our pneumatic RAM can accelerate the spread of soft robotic technologies to a wide range of important application areas.…”
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