“…The only book written for nonlawyers that covers the entire field of copyright law, it is essential reading for authors, artists, creative people in every medium, the companies that hire them, users of copyrighted material, and anyone with an interest in copyright law from a policy perspective. …”
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“…The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of how art could be studied and measured. …”
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“…Body size and build influence performance in many sports, especially in those belonging to the group of female aesthetic sports (rhythmic gymnastics, artistic gymnastics, and figure skating). These sports pose high specific demands upon the functional, energy, motor and psychological capacities of athletes, but also upon the size, body build and composition of the performers, particularly of the top-level female athletes. …”
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“…También se estudiarán, a través del análisis teórico-dramático correspondiente al género del teatro del absurdo, la naturaleza abstracta de los personajes creados por el autor de manera despersonalizada, animalizada y degradada –como alegorías de la sociedad y su histeria colectiva– en su segunda obra, La paz de la buena gente, escrita en la Ciudad de México en 1967 y estrenada en 1980.Oscar Villegas and his Dehumanized Characters in La paz de la buena genteThis article outlines the creative style and artistic trajectory of Mexican playwright Oscar Villegas. …”
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“…Nos introduce al ácido humor que el pintor jalisciense emplea en su caricaturapolítica; al estudio de los episodios revolucionarios que narran la otra revolución mexicana, y, por supuesto, a las acuarelas de prostitutas que metaforizan la movilidad social de la ciudad de México; imágenes estas últimas que se ganaron el calificativo de vulgares y pornogrificas en la sociedad de su época.Political Cartoon, Revolutionary Episodes and Prostitutes: from Ideological Singularity to ImageThis article reflects on the artists drawings and water colours in an attempt to reveal the singularity of Orozquista art, from the point of view of the esthetical praxis. …”
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“…Results suggest how collected data can be useful for the artistic director to estimate the audience’s overall level of satisfaction and make choices about the specific characteristics of the performance, and that emotional valence measured on the audience during the show can be useful to predict overall customer satisfaction, as measured using traditional self-report methods.…”
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“…Moreover, the results suggest that the AIB is indeed positively related to the perception of artworks (6 dimensions of an aesthetic experience), regulation of emotions through artistic creative activities, as well as to aesthetic competencies in art. …”
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“…The objective of this paper is to examine how contemporary art representatives (artists, curators, and experts) express the issue of agency through their artworks, and to compare this viewpoint with the interpretations from other areas of public life. …”
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“…Participants identified five major needs: to escape routine; for reassurance of worth; for meaningful, personalized social interaction unrestricted by communication barriers; to have culturally meaningful opportunities for reminiscence; and to have a space where residents could be unapologetically themselves. The artistic and emotional strategies used by the therapeutic clowns to address these needs illustrate how creativity, imagination and relational presence can provide nursing home residents with a sense of being known and belonging. …”
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“…From the synthesis of the first synthetic dye, mauveine, in 1856 until today, artists have enjoyed a wider range of colors and selection of chemical properties than was ever available before. …”
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“…Historically, philosophers, scientists and artists questioned the meaning and purpose of sleep. …”
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“…This analysis provides a large sample of statistical and practical evidence for the clinical practices of mental health and the educational and music training practices of co-cultivating cultural knowledge and artistic quality.…”
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“…Vocal arts medicine provides care and prevention strategies for professional voice disorders in performing artists. The issue of correct “Fach” determination depending on the presence of a lyric or dramatic voice structure is of crucial importance for opera singers, as chronic overuse often leads to vocal fold damage. …”
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“…Arts engagement programs (AEPs) are non-clinical, structured programs led by artists and educators to support mental health and wellbeing. …”
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“…Results indicate that modern participants’ visual attention corresponded to the same topographic features of cave walls utilised by Palaeolithic artists, and that they perceived such features as resembling animals. …”
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“…Although AI can now perform creative tasks, artistic creativity is still considered a human prerogative.…”
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“…The study’s finding affirms that students engaged in artistic activities start to develop a habit of communicating with their peers, showing their work, and commenting on works made by their peers or observed in art exhibitions or museums; such a process makes them self-efficacious. …”
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“…Availability: Source code is freely available at www.github.com/cellh5 under the GPL license and at www.bioconductor.org/packages/release/bioc/html/rhdf5.html under the Artistic-2.0 license. Demo datasets and the CellH5Browser are available at www.cellh5.org. …”
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“…PT has been used in a large number of settings as a tool to share stories in an artistic manner. Despite its similarities to psychodrama, PT does not claim to be a form of therapy. …”
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“…It is a case study using Prokofiev’s lesser known pedagogical work for the piano, which serves as an example of information gathering to apply toward a more effective method of instruction, which requires the teacher and student to exhaustively examine both composer and music in order to exact a more artistic, accurate performance. Much of the interpretation is based on Prokofiev’s own thoughts as expressed in his personal memoirs and from his most distinguished music critics, many of whom were his peers during his lifetime, while some is taken from common sources, which are readily available to teacher and student. …”
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