“…Notions of tonality, modality, key, diatonicity, chromaticism, alteration, and modulation are defined in terms of their perception, and categorized according to the way in which they have developed historically. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…“Non-octave hypermode” is identified as a peculiar homogenous type of MPS, typical for plainchant. The origin of chromaticism is thoroughly examined as an earmark of “art-music” that opposes earlier forms of folk music. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso