Suggested Topics within your search.
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Clarinet and piano music
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Concertos (Piano with instrumental ensemble)
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Duos (clarinete y piano)
1
Folk dance music
1
Música de cámara
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Música orquestal
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Piano (1 hand) with wind ensemble
1
Quintets (Clarinet, violins (2), viola, violoncello), Arranged
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Sinfonías
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Sonatas (Clarinet and piano)
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Suites (Bassoon, clarinets (2), flute, horn, oboe)
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Suites (Clarinet, violins (2), viola, violoncello)
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Suites (String orchestra)
1
Trios (Piano, flutes (2))
1
partituras
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1by Barros, Ana, Mendes, Joaquim, Moreira, André, Vardasca, Ricardo, Pais Clemente, Miguel, Pinhão Ferreira, Afonso“…Introduction: Wind instrumentalists like clarinetists, may present a muscular hyperactivity on certain groups of the cranio-cervico-mandibular complex, due to their musical activity. …”
Published 2018
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2“…The temporal dynamics of brain activation during visual and auditory perception of congruent vs. incongruent musical video clips was investigated in 12 musicians from the Milan Conservatory of music and 12 controls. 368 videos of a clarinetist and a violinist playing the same score with their instruments were presented. …”
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5“…The study participants were violin and clarinet students of pre-academic and academic levels and of different chronological ages, ages of acquisition, and academic levels. A violinist and a clarinetist each played the same score, and each participant viewed the video corresponding to his or her instrument. …”
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6by Tanabe, Gen, Hattori, Mariko, Obata, Satoshi, Takahashi, Yuumi, Churei, Hiroshi, Nishiyama, Akira, Ueno, Toshiaki, Sumita, Yuka I.“…CASE DESCRIPTION: A lip shield was custom-made with a soft thermoplastic material for a female clarinetist who complained of mucosal erosion and pain of the lower lip. …”
Published 2022
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8“…The sight-reading and two performance run-throughs of each piece were recorded and given to three professional clarinetists to rate using a percentage scale. Overall, whenever there was a ratings difference between the conditions, pieces practiced in the interleaved schedule were rated better than those in the blocked schedule, although results varied across raters. …”
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9by Pais Clemente, Miguel, Mendes, Joaquim, Cerqueira, Joana, Moreira, André, Vasconcelos, Mário, Pinhão Ferreira, Afonso, Amarante, José Manuel“…RESULTS: The piezoresistive sensors applied to the mouthpiece of the five clarinetists presented values between 16 and 226 g of force. …”
Published 2019
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10“…Short clips were extracted from audio-video recordings of clarinet, piano, and violin performances and presented to highly-skilled clarinetists, pianists, and violinists. Clips either maintained the audiovisual synchrony present in the original recording or were modified so that the video led or lagged behind the audio. …”
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11by Gantner, Sophia, Echternach, Matthias, Veltrup, Reinhard, Westphalen, Caroline, Köberlein, Marie Christine, Kuranova, Liudmila, Peters, Gregor, Jakubaß, Bernhard, Benthaus, Tobias, Döllinger, Michael, Kniesburges, Stefan“…Nine professional musicians (3 trumpeters, 3 flautists and 3 clarinetists) from the Bavarian Symphony Orchestra performed the main theme from the 4(th) movement of Ludwig van Beethoven‘s 9(th) symphony in different pitches and loudness. …”
Published 2022
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12“…In summary, the ancillary movements of the clarinetists pursued both musical expressive intentions and physiologically necessary movements and tended to be performed with individual differences in terms of visual and auditory expression.…”
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13“…To create the MEB, stimuli were recorded from 10 violinists and 10 clarinetists, and then evaluated by 60 participants. …”
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14“…RESULTS: The most prevalent skin disorders of instrumental musicians, in particular string instrumentalists (e.g., violinists, cellists, guitarists), woodwind players (e.g., flautists, clarinetists), and brass instrumentalists (e.g., trumpeters), include a variety of allergic contact sensitizations (e.g., colophony, nickel, and exotic woods) and irritant (physical-chemical noxae) skin conditions whose clinical presentation and localization are usually specific for the instrument used (e.g., "fiddler's neck", "cellist's chest", "guitar nipple", "flautist's chin"). …”
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