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  1. 181
    por Soundy, Andrew, Lim, Ja Yee
    Publicado 2023
    “…Limited data exist that describe the experiences of pain and injury in dancers. The purpose of the current study was to understand pain perceptions, suffering and pain behaviours associated with pre-professional and professional dancers and to consider the psychosocial factors that influence suffering, behaviour and perceptions of pain. …”
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    Pain Perceptions, Suffering and Pain Behaviours of Professional and Pre-Professional Dancers towards Pain and Injury: A Qualitative Review
  2. 182
    “…In dance, about 53% of dancers have CAI. CAI is a major cause of musculoskeletal disorders such as sprains, posterior ankle impingement, and shin splints. …”
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    Changing a Reflex Motor Pattern Using the Allyane Technique: Case Report of a Dancer‘s Chronic Ankle Instability
  3. 183
    “…Do we perceive a group of dancers moving in synchrony differently from a group of drones flying in-sync? …”
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    EEG frequency tagging dissociates between neural processing of motion synchrony and human quality of multiple point-light dancers
  4. 184
    “…Although preservation of high activity level has been reported in active young patients after periacetabular osteotomy (PAO) for the treatment of symptomatic hip dysplasia, there is limited evidence whether a dancer may be able to resume dancing after PAO. We asked whether female dancers experience improvement in pain and sports-related activities and return to dance following PAO. …”
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    Do young female dancers improve symptoms and return to dancing after periacetabular osteotomy for the treatment of symptomatic hip dysplasia?
  5. 185
    “…METHODS: Fifteen classically trained female dancers had 16 reflective markers placed on the lower body and each dancer performed each jump three times on a force plate. …”
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    Mechanical Demands at the Ankle Joint During Saut de Chat and Temps levé Jumps in Classically Trained Ballet Dancers
  6. 186
    “…Collegiate dancers face unique challenges to maintain a lean aesthetic, optimal diet, and a high-performance level due to the various stressors in college. …”
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    Female Collegiate Dancers Body Composition, Macronutrient and Micronutrient Intake Over Two Academic Years: A Longitudinal Analysis
  7. 187
    “…A subset of 59 participants (29 ballroom dancers and 30 nondancers) also repeated the same tapping task while electroencephalographic (EEG) activity was recorded. …”
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    Ballroom dancers exhibit a dispositional need for arousal and elevated cerebral cortical activity during preferred melodic recall
  8. 188
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    Pelvic region bone density, soft tissue mass, and injury frequency in female professional ballet dancers and soccer athletes
  9. 189
    por Romita, Nancy
    Publicado 2016
    Libro
    Functional awareness : anatomy in action for dancers /
  10. 190
    “…METHODS: A total of 29 dancers and 28 non-dancer controls were recruited. …”
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    Trait representation of embodied cognition in dancers pivoting on the extended mirror neuron system: a resting-state fMRI study
  11. 191
    por Smol, Ewelina, Fredyk, Artur
    Publicado 2012
    “…We investigated whether 6-week low-intensity aerobic training program used as a supplement to regular dance practice might improve both the aerobic capacity and psychomotor performance in female ballet dancers. To assess their maximal oxygen uptake (VO(2max)) and anaerobic threshold (AT), the dancers performed a standard graded bicycle ergometer exercise test until volitional exhaustion prior to and after the supplementary training. …”
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    Supplementary Low-Intensity Aerobic Training Improves Aerobic Capacity and Does Not Affect Psychomotor Performance in Professional Female Ballet Dancers
  12. 192
    “…Twenty-two experienced female dancers were recruited and separated into an intervention (age 24.4 ± 6.3 years, body height 165.5 ± 5.8 cm, body mass 65.9 ± 5.6 kg) and a control (age 22.9 ± 5.6 years, body height 163.3 ± 5.4 cm, body mass 57.4 ± 6.8 kg) group. …”
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    The Effects of a 9-Week Hip Focused Weight Training Program on Hip and Knee Kinematics and Kinetics in Experienced Female Dancers
  13. 193
    “…BACKGROUND: There is convincing evidence that dancers suffer injuries to the triceps surae musculature. …”
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    Acute Effects of Dry Needling on Myofascial Trigger Points in the Triceps Surae of Ballet Dancers: A Pilot Randomized Controlled Trial
  14. 194
    “…METHODS: Fourteen (14) professional ballet dancers enrolled in the 2-year prospective, IRB-approved study after informed consent was obtained. …”
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    Prevalence of Asymptomatic Bone Marrow Edema in the Talus in Professional Ballet Dancers: Preliminary Data from 2-Year Prospective Study
  15. 195
    “…What kind of assumptions about the abilities of dancers form the baseline expectations of researchers? …”
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    Everybody Can Dance—Except Aging Professional Dancers! A Discussion of the Construction of the Aging Dancing Body in Four Dance Texts
  16. 196
    Publicado 2003
    “…Dancer in the dark…”
    Video DVD
    Bailando en la oscuridad Dancer in the dark /
  17. 197
    “…RESULTS: Evidence of talar BME was seen in 15 of the 28 (54%) ankles examined and in 9 of 14 (64%) dancers. We found that 6 dancers demonstrated bilateral talar BME, 3 dancers demonstrated unilateral BME, and 5 dancers demonstrated no evidence of BME. …”
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    Prevalence of Asymptomatic Talar Bone Marrow Edema in Professional Ballet Dancers: Preliminary Data From a 2-Year Prospective Study
  18. 198
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    “Some like it hot”: spectators who score high on the personality trait openness enjoy the excitement of hearing dancers breathing without music
  19. 199
    “…The purpose of this randomized controlled trial was to evaluate the efficacy of a 10-week neuromuscular training (NMT) program on the postural control of elite youth competitive ballroom dancers. Forty-two dancers (21 couples) were randomly assigned to either the NMT group (n = 22) or the control group (CG; n = 20). …”
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    The Effects of a 10-Week Neuromuscular Training on Postural Control in Elite Youth Competitive Ballroom Dancers: A Randomized Controlled Trial
  20. 200
    “…BACKGROUND: Ballet dancers are a risk group for body image (BI) distortion, dissatisfaction and eating disorders (ED), but few studies have investigated these aspects in amateur adult practitioners. …”
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    Amateur ballet practicing, body image and eating behaviors: a comparative study of classical ballet dancers, gym users and sedentary women
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