“…RESULTS: A total of 588 MA-FAIs and 255 TL-FAIs were observed across 455 dancer-seasons. The incidence rates of MA-FAIs and TL-FAIs were significantly higher in women (1.20 MA-FAIs and 0.55 TL-FAIs per dancer-season) than in men (0.83 MA-FAIs and 0.35 TL-FAIs per dancer-season) (MA-FAIs, P = .002; TL-FAIs, P = .008). …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…In turn, it is assumed that this may have facilitated social bonding and therefore procreation between individuals within larger groups. In this dual-dancer study, individuals performed fast or slow hip-hop choreography to fast-, medium-, or slow-tempo music; when paired laterally, this gave rise to split-screen video stimuli in which there were four basic categories of dancer and music synchrony: (1) synchronous dancers, synchronous music; (2) synchronous dancers, asynchronous music; (3) asynchronous dancers, one dancer synchronous with music; and (4) asynchronous dancers, asynchronous music. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…BACKGROUND: Accurate and detailed measurement of a dancer’s training volume is a key requirement to understanding the relationship between a dancer’s pain and training volume. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…We created a database of 15 authentic solo jazz template moves using the performances of a professional dancer dancing at 120 bpm. We analysed 36 new dance sequences, performed by the professional and five recreational dancers, following six dance tempos, ranging from 120 bpm to 220 bpm with 20 bpm increment steps. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

Enlace del recurso

“…We present a methodology that enables dance tempo estimation through the acquisition of 3D accelerometer signals using a single wearable inertial device positioned on the dancer’s leg. Our tempo estimation method is based on enhanced multiple resonators, implemented with comb feedback filters. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…To evaluate competitive ballroom dancing, one of the official events of the World Games, spin movements used by advanced dancers who ranked high in actual competition may be employed. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…It is thus assumed that the dancer and follower perform close cognitive processes. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…Can you imagine a choreographer only training one dancer to lead while his or her partner sits in the lobby staring at the wall? …”
Enlace del recurso

“…The main purpose of this study was to identify a dancer’s body alignment while performing flamenco footwork to provide a detailed description that could be used by flamenco practitioners: teachers, instructors and students of different levels of advancement. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…We detail three main themes—”It Will Only Get Worse;” “It Can Be Magic;” “Once a Dancer Always a Dancer”—that emerged from our study. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…Dance making and moving support a positive aging approach to aesthetic, cultural, and social meanings, thus, shaping dancers' lives. My perspective is informed by making dance a durational and sustained practice in the life of a long-life mover. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…AlpineKat performed the now notorious LHC rap, with a little help from Lyn Evans who joined her on stage as a backing dancer.…”
Enlace del recurso

“…A differentiation is needed between (a) the effects on the individual when the activity of “dancing” is enjoyed as a dancer within different dance domains (e.g., professional/”high-art” type of dance, erotic dance, religious dance, club dancing, Dance Movement Therapy (DMT), and what is commonly known as hobby, recreational or social dance), and (b) the effects on the individual within these different domains, as a dancer of the different dance styles (solo dance, partnering dance, group dance; and all the different styles within these). …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…Each dancer was assessed while dancing at three different musical rhythms: fast (118 BPM), medium (96 BPM), and slow (82 BPM). …”
Enlace del recurso
Enlace del recurso
Enlace del recurso

“…Followers showed similar initial attraction to and tracking of dancers. However, waggle dancers were faster than tremble dancers, and follower-forward, -sideways, and -angular velocities were generally similar to the velocities of their respective dancers. …”
Enlace del recurso
Enlace del recurso
Enlace del recurso