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301por Katakura, Mai, Kedgley, Angela E., Shaw, Joseph W., Mattiussi, Adam M., Kelly, Shane, Clark, Richard, Allen, Nick, Calder, James D.F.“…RESULTS: A total of 588 MA-FAIs and 255 TL-FAIs were observed across 455 dancer-seasons. The incidence rates of MA-FAIs and TL-FAIs were significantly higher in women (1.20 MA-FAIs and 0.55 TL-FAIs per dancer-season) than in men (0.83 MA-FAIs and 0.35 TL-FAIs per dancer-season) (MA-FAIs, P = .002; TL-FAIs, P = .008). …”
Publicado 2023
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302“…In turn, it is assumed that this may have facilitated social bonding and therefore procreation between individuals within larger groups. In this dual-dancer study, individuals performed fast or slow hip-hop choreography to fast-, medium-, or slow-tempo music; when paired laterally, this gave rise to split-screen video stimuli in which there were four basic categories of dancer and music synchrony: (1) synchronous dancers, synchronous music; (2) synchronous dancers, asynchronous music; (3) asynchronous dancers, one dancer synchronous with music; and (4) asynchronous dancers, asynchronous music. …”
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303por Hendry, Danica, Chai, Kevin, Campbell, Amity, Hopper, Luke, O’Sullivan, Peter, Straker, Leon“…BACKGROUND: Accurate and detailed measurement of a dancer’s training volume is a key requirement to understanding the relationship between a dancer’s pain and training volume. …”
Publicado 2020
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304“…We created a database of 15 authentic solo jazz template moves using the performances of a professional dancer dancing at 120 bpm. We analysed 36 new dance sequences, performed by the professional and five recreational dancers, following six dance tempos, ranging from 120 bpm to 220 bpm with 20 bpm increment steps. …”
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305
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306“…We present a methodology that enables dance tempo estimation through the acquisition of 3D accelerometer signals using a single wearable inertial device positioned on the dancer’s leg. Our tempo estimation method is based on enhanced multiple resonators, implemented with comb feedback filters. …”
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308por Yoshida, Yasuyuki, Bizokas, Arunas, Demidova, Katusha, Nakai, Shinichi, Nakai, Rie, Nishimura, Takuichi“…To evaluate competitive ballroom dancing, one of the official events of the World Games, spin movements used by advanced dancers who ranked high in actual competition may be employed. …”
Publicado 2022
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309por Ambrose, KayTabla de Contenidos: “…On basic training -- On the use of the arms -- On practical science -- On physical and stage perspectives -- On "line" -- On music and the dancer -- On partnering -- On classification -- On style and character -- Practical notes.…”
Publicado 1978
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310por Menzel, Randolf“…It is thus assumed that the dancer and follower perform close cognitive processes. …”
Publicado 2019
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311“…Can you imagine a choreographer only training one dancer to lead while his or her partner sits in the lobby staring at the wall? …”
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312por Forczek-Karkosz, Wanda, Michnik, Robert, Nowakowska-Lipiec, Katarzyna, Vargas-Macias, Alfonso, Baena-Chicón, Irene, Gómez-Lozano, Sebastián, Gorwa, Joanna“…The main purpose of this study was to identify a dancer’s body alignment while performing flamenco footwork to provide a detailed description that could be used by flamenco practitioners: teachers, instructors and students of different levels of advancement. …”
Publicado 2021
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313por Markula, Pirkko, Metzger, Kathy, Bliss, Tamara, Gervais, Wendy, Rintoul, Mary Ann, Vandkerkhove, Jodie“…We detail three main themes—”It Will Only Get Worse;” “It Can Be Magic;” “Once a Dancer Always a Dancer”—that emerged from our study. …”
Publicado 2022
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314por Nikolai, Jennifer“…Dance making and moving support a positive aging approach to aesthetic, cultural, and social meanings, thus, shaping dancers' lives. My perspective is informed by making dance a durational and sustained practice in the life of a long-life mover. …”
Publicado 2022
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316por Michael Struik“…AlpineKat performed the now notorious LHC rap, with a little help from Lyn Evans who joined her on stage as a backing dancer.…”
Publicado 2008
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317por Christensen, Julia F., Vartanian, Meghedi, Sancho-Escanero, Luisa, Khorsandi, Shahrzad, Yazdi, S. H. N., Farahi, Fahimeh, Borhani, Khatereh, Gomila, Antoni“…A differentiation is needed between (a) the effects on the individual when the activity of “dancing” is enjoyed as a dancer within different dance domains (e.g., professional/”high-art” type of dance, erotic dance, religious dance, club dancing, Dance Movement Therapy (DMT), and what is commonly known as hobby, recreational or social dance), and (b) the effects on the individual within these different domains, as a dancer of the different dance styles (solo dance, partnering dance, group dance; and all the different styles within these). …”
Publicado 2021
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318por Padulo, Johnny, Larion, Alin, Turki, Olfa, Melenco, Ionel, Popa, Cristian, Palermi, Stefano, Migliaccio, Gian Mario, Mannarini, Stefania, Rossi, Alessandro Alberto“…Each dancer was assessed while dancing at three different musical rhythms: fast (118 BPM), medium (96 BPM), and slow (82 BPM). …”
Publicado 2021
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320“…Followers showed similar initial attraction to and tracking of dancers. However, waggle dancers were faster than tremble dancers, and follower-forward, -sideways, and -angular velocities were generally similar to the velocities of their respective dancers. …”
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