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4“…Two experienced jazz musicians who had never previously played together played three improvisations on a jazz standard (“It Could Happen to You”) on either side of a visual barrier. …”
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5por Eerola, Tuomas, Jakubowski, Kelly, Moran, Nikki, Keller, Peter E., Clayton, Martin“…We made use of two improvising duo datasets—(i) performances of a jazz standard with a regular pulse and (ii) non-pulsed, free improvizations—to investigate whether human judgements of moments of interaction between co-performers are influenced by body movement coordination at multiple timescales. …”
Publicado 2018
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6“…This study explores the extent to which a large set of musically experienced listeners share understanding with a performing saxophone-piano duo, and with each other, of what happened in three improvisations on a jazz standard. In an online survey, 239 participants listened to audio recordings of three improvisations and rated their agreement with 24 specific statements that the performers and a jazz-expert commenting listener had made about them. …”
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7por Kritsis, Kosmas, Kylafi, Theatina, Kaliakatsos-Papakostas, Maximos, Pikrakis, Aggelos, Katsouros, Vassilis“…Specifically in jazz improvisation, the role of the accompanist is crucial for reflecting the harmonic and metric characteristics of a jazz standard, while identifying in real-time the intentions of the soloist and adapt the accompanying performance parameters accordingly. …”
Publicado 2021
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8“…In doing so, we draw on both cognitive musicology and neuroscience to outline a comprehensive framework of musical interaction, exploring several aspects of making music in dyads, from a very basic proto-musical action, like tapping, to more sophisticated contexts, like playing a jazz standard and singing a hocket melody. Our framework combines embodied and predictive features, revolving around the concept of joint agency (Pacherie, 2012; Keller et al., 2016; Bolt and Loehr, 2017). …”
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9por Datseris, George, Ziereis, Annika, Albrecht, Thorsten, Hagmayer, York, Priesemann, Viola, Geisel, Theo“…We recorded twelve piano jazz standards played by a professional pianist and manipulated the natural MTDs of the recordings in systematic ways by quantizing, expanding and inverting them. …”
Publicado 2019
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10por Ortega, José Luis“…In a first phase from 1900s to 1950s, dominated by Jazz and Vocal artists, the covers are more frequent and associated with the notion of reworking (e.g. jazz standards); in a second stage, since the 1950s, when the Pop/Rock emerges, cover songs are less common and seen as tribute.…”
Publicado 2021
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